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  • Qube Cinema Brings Uncompressed 4K Projection to N

    Qube Cinema Brings Uncompressed 4K Projection to N

    April 16, 2012, 7:20 pm
    Qube Cinema introduced the new Quad 3G interface for digital cinema projectors at NAB. The Quad 3G interface allows for integrated postproduction and digital cinema mastering workflows. Facilities can use one projector setup for both HD-4K uncompressed color grading and 2K-4K digital cinema playback providing a comprehensive review and quality control system.

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  • Other Postings By Member

    • Gregory Plotkin, Editor of Get Out
      EDITING

      Gregory Plotkin, Editor of Get Out

      April 24, 2017, 5:48 am
      Why does the word “horror” movie have a stigma attached to it and what is truly scary in the modern age? Is the horror genre classified as subpar because the movies were originally low budget and could be made quickly, under the aegis of the prolific, but largely unsung Roger Corman, who gave Francis Ford […] The post Gregory Plotkin, Editor of Get Out appeared first on Below the Line.

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    • Cinema Audio Society Accepting Applications for CA
      SOUND

      Cinema Audio Society Accepting Applications for CA

      April 17, 2017, 6:01 pm
      The Cinema Audio Society has opened applications for the CAS Student Recognition Award. First presented at the CAS Award Dinner in 2015, this honor comes with a $2,500 cash award and is intended to encourage student interest in production or post-production sound mixing, and to recognize individual students with exceptional demonstrated passion for the field.  “As we move into our 4th year of the Student […] The post Cinema Audio Society Accepting Applications for CAS Student...

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    • FilmLight Rolls Out 5.0 Across its Entire Product
      COLOR

      FilmLight Rolls Out 5.0 Across its Entire Product

      April 14, 2017, 5:28 am
      FilmLight has announced that it will demonstrate its version 5.0 color tools at NAB 2017. Longtime users will benefit from a consistent and familiar user experience, from the flagship Baselight color grading and finishing system, through Baselight Editions, to Daylight and the new on-set application, Prelight. “We are delivering 5.0 everywhere, bringing a new level of […] The post FilmLight Rolls Out 5.0 Across its Entire Product Range appeared first on Below the Line.

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    • MPEG Awards Lillian E. Benson Fellowship and Servi
      VFX

      MPEG Awards Lillian E. Benson Fellowship and Servi

      April 12, 2017, 5:51 am
      On Saturday night the Motion Picture Editors Guild awarded their Fellowship and Service Award to Lillian E. Benson, who is the first African-American female member of the American Cinema Editors, an honorary editing society, and a member of their board of directors at a gala dinner event at the Sheraton Universal Hotel that illustrated that […] The post MPEG Awards Lillian E. Benson Fellowship and Service Award appeared first on Below the Line.

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    • Alchemy Post Sound Creates Foley for Six Tribeca F
      SOUND

      Alchemy Post Sound Creates Foley for Six Tribeca F

      March 30, 2017, 5:28 am
      A supporter of independent film and the New York production community, Alchemy Post Sound provided Foley services for six films screening at this year’s Tribeca Film Festival. They include three narrative features, a documentary feature and two shorts. “We are excited to have contributed to several wonderful new films screening at Tribeca, one of the […] The post Alchemy Post Sound Creates Foley for Six Tribeca Films appeared first on Below the Line.

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    • CG Supervisor Chris Ryan Joins FuseFX Vancouver as
      VFX

      CG Supervisor Chris Ryan Joins FuseFX Vancouver as

      March 28, 2017, 5:44 am
      FuseFX Vancouver has announced the hire of visual effects veteran Chris Ryan as CG supervisor as part of a general expansion of its presence in British Columbia. Ryan will lead the facility’s enlarged 3D team on television projects including Zoo and Timeless. He brings more than 20 years of senior level experience in CG and […] The post CG Supervisor Chris Ryan Joins FuseFX Vancouver as Head of 3D appeared first on Below the Line.

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    • Blue Table Post, A New Post-Production Facility in
      EDITING

      Blue Table Post, A New Post-Production Facility in

      March 11, 2017, 8:38 am
      Blue Table Post is a relatively new video/audio post-production complex located in Brooklyn. Reportedly a long-time dream of triple Emmy-winning editor Oliver Lief, the complex was designed to support his creative talents and, those of Emmy-winning recording mixer/sound designer Rich Cutler and a team of colorist/vfx artists. Situated in a renovated five story building, in Brooklyn’s burgeoning […] The post Blue Table Post, A New Post-Production Facility in Brooklyn appeared first on ...

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    • Motion Picture Editors Guild to honor Lillian E. B
      EDITING

      Motion Picture Editors Guild to honor Lillian E. B

      March 10, 2017, 6:09 am
      The Motion Picture Editors Guild (MPEG), Local 700 IATSE, has announced that it will honor member Lillian E. Benson, ACE, with its prestigious Fellowship and Service Award on Saturday, April 8, 2017 at a dinner at the Sheraton Universal Hotel. The Fellowship and Service Award was established 10 years ago by the Guild’s Board of Directors to recognize an […] The post Motion Picture Editors Guild to honor Lillian E. Benseon, ACE with Fellowship and Service Award appeared first on Belo...

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    • Lucky Post Promotes Elizabeth V. Moore To Editor
      EDITING

      Lucky Post Promotes Elizabeth V. Moore To Editor

      March 6, 2017, 5:52 pm
      Lucky Post has announced that Elizabeth V. Moore has been promoted to editor. Moore has been working with her mentors and friends at Lucky Post since 2012, when she joined the company as an assistant. Working alongside Lucky Post’s senior editors, Moore has honed her talent editing music videos, television promos, short films, and commercials […] The post Lucky Post Promotes Elizabeth V. Moore To Editor appeared first on Below the Line.

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    • Contender — The Visual Effects of The Jungle Boo
      VFX

      Contender — The Visual Effects of The Jungle Boo

      February 21, 2017, 6:02 pm
      When director Jon Favreau agreed to take on Disney’s The Jungle Book, he knew that extensive computer animation would be utilized. The major question was how to integrate a live-action performer — ten-year-old Neel Sethi as Mowgli — with computer-animated animals, and talking ones, no less, per Rudyard Kipling’s original story. “In this case, I […] The post Contender — The Visual Effects of The Jungle Book appeared first on Below the Line.

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