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  • Qube Cinema Brings Uncompressed 4K Projection to N

    Qube Cinema Brings Uncompressed 4K Projection to N

    April 16, 2012, 7:20 pm
    Qube Cinema introduced the new Quad 3G interface for digital cinema projectors at NAB. The Quad 3G interface allows for integrated postproduction and digital cinema mastering workflows. Facilities can use one projector setup for both HD-4K uncompressed color grading and 2K-4K digital cinema playback providing a comprehensive review and quality control system.

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  • Other Postings By Member

    • 67th ACE Eddie Awards: Arrival and La La Land Take
      EDITING

      67th ACE Eddie Awards: Arrival and La La Land Take

      January 31, 2017, 6:19 am
      At the 67th Annual ACE Eddie Awards, Joe Walker, ACE took home the Best Edited Feature Film (Dramatic) Eddie for Arrival, while Tom Cross, ACE won Best Edited Feature Film (Comedy/Musical) for La La Land.  Zootopia, edited by Fabienne Rawley and Jeremy Milton, won Best Edited Animated Feature Film. In accepting his award Walker mused, […] The post 67th ACE Eddie Awards: Arrival and La La Land Take Top Editing Honors appeared first on Below the Line.

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    • SIGGRAPH 2017 Seeks Virtual Reality & Augmented Re
      VFX

      SIGGRAPH 2017 Seeks Virtual Reality & Augmented Re

      January 31, 2017, 6:19 am
      SIGGRAPH 2017, the annual interdisciplinary educational experience showcasing the latest in computer graphics and interactive techniques, is seeking a diverse range of new Virtual Reality (VR) and Augmented Reality (AR) submissions to be showcased during its upcoming annual conference. SIGGRAPH 2017 will mark the 44th International Conference and Exhibition on Computer Graphics and Interactive Techniques, […] The post SIGGRAPH 2017 Seeks Virtual Reality & Augmented Reality Submissions for...

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    • Uppercut Signs Editor Daniella Sclafani
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      Uppercut Signs Editor Daniella Sclafani

      January 31, 2017, 6:19 am
      Creative editorial shop Uppercut has added editor Danielle Sclafani to their roster. Sclafani joins Uppercut after serving as an editor at Crew Cuts, where she spent nearly seven years cutting spots for the likes of CVS, Starbucks, GE, Accenture and IBM, among others. Her distinct visual storytelling style and passion for creative collaboration have fostered […] The post Uppercut Signs Editor Daniella Sclafani appeared first on Below the Line.

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    • Motion Picture Sound Editors Announce 2017 Golden
      SOUND

      Motion Picture Sound Editors Announce 2017 Golden

      January 28, 2017, 7:44 am
      The Motion Picture Sound Editors (MPSE) today announces nominees for the 64th MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation and computer entertainment productions. “Sound professionals are dedicated to enriching storytelling in motion pictures, television, […] The post Motion Picture Sound Editors Announce 2017 Golden Reel Nominations appe...

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    • The View from La La Land
      EDITING

      The View from La La Land

      January 24, 2017, 8:35 pm
      So the Oscar nomination process is on the one hand modernizing: the Academy realized they no longer have to gather everyone “live” at 5 in the morning, feeding all those press minions breakfast before they head back to their newspaper offices with printed handouts, to type up stories for afternoon editions. Instead, they could stream […] The post The View from La La Land appeared first on Below the Line.

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    • Contender – The Sound of Arrival
      SOUND

      Contender – The Sound of Arrival

      January 23, 2017, 6:09 pm
      For supervising sound editor Sylvain Bellemare and re-recording mixer Bernard Gariépy Strobl, the sound required for the ethereal science-fiction film Arrival, directed by Denis Villeneuve, represented a wholly new challenge — to create an unprecedented world through audio. The pair worked on the post-production sound of the film in Montreal after key sound elements were […] The post Contender – The Sound of Arrival appeared first on Below the Line.

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    • Contender – Visual Effects, Rogue One: A Star Wa
      VFX

      Contender – Visual Effects, Rogue One: A Star Wa

      January 21, 2017, 10:41 am
      When plans were put in place to make a standalone movie in the Star Wars universe but separated from the originally planned nine-film saga, Lucasfilm executives knew that they needed the services of the best in the visual effects industry to merge the new worlds of the film with the familiar tropes Star Wars fans […] The post Contender – Visual Effects, Rogue One: A Star Wars Story appeared first on Below the Line.

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    • Thelma Schoonmaker and Janet Ashikaga to Receive C
      EDITING

      Thelma Schoonmaker and Janet Ashikaga to Receive C

      January 18, 2017, 6:23 am
      American Cinema Editors (ACE) will present veteran editors Janet Ashikaga, ACE and Thelma Schoonmaker, ACE with the organization’s prestigious Career Achievement honors at the 67thAnnual ACE Eddie Awards on Friday, January 27, 2017 in the International Ballroom of the Beverly Hilton Hotel.  The Career Achievement Award honors veteran editors whose body of work and reputation […] The post Thelma Schoonmaker and Janet Ashikaga to Receive Career Achievement Honors at the 2017 ACE Eddie Aw...

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    • Cinema Audio Society Announces Nominations for 201
      SOUND

      Cinema Audio Society Announces Nominations for 201

      January 17, 2017, 7:32 pm
      The Cinema Audio Society announced the nominees for the CAS Outstanding Product Awards for Production and Post-Production. “There were many innovative and outstanding choices in both production and post-production work flows,” said Bob Bronow, chair of the CAS Awards Committee. “Our Blue Ribbon panel was challenged to whittle the list of products down to only […] The post Cinema Audio Society Announces Nominations for 2016 Outstanding Product Awards appeared first on Below the Line.

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    • Contender – Editor Joe Walker, Arrival
      EDITING

      Contender – Editor Joe Walker, Arrival

      January 13, 2017, 7:44 am
      Playing with time has a big appeal for Joe Walker, editor of Arrival, the non-linear, sci-fi mystery starring Amy Adams and Jeremy Renner, as a linguist and scientist tasked with interpreting the language of alien visitors. “We’re talking about time. That is certainly something I’ve been obsessed by in the last few films I’ve worked […] The post Contender – Editor Joe Walker, Arrival appeared first on Below the Line.

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