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April 16, 2012, 7:20 pm
Qube Cinema introduced the new Quad 3G interface for digital cinema projectors at NAB. The Quad 3G interface allows for integrated postproduction and digital cinema mastering workflows. Facilities can use one projector setup for both HD-4K uncompressed color grading and 2K-4K digital cinema playback providing a comprehensive review and quality control system.
April 12, 2017, 5:51 am
On Saturday night the Motion Picture Editors Guild awarded their Fellowship and Service Award to Lillian E. Benson, who is the first African-American female member of the American Cinema Editors, an honorary editing society, and a member of their board of directors at a gala dinner event at the Sheraton Universal Hotel that illustrated that […] The post MPEG Awards Lillian E. Benson Fellowship and Service Award appeared first on Below the Line.
March 30, 2017, 5:28 am
A supporter of independent film and the New York production community, Alchemy Post Sound provided Foley services for six films screening at this year’s Tribeca Film Festival. They include three narrative features, a documentary feature and two shorts. “We are excited to have contributed to several wonderful new films screening at Tribeca, one of the […] The post Alchemy Post Sound Creates Foley for Six Tribeca Films appeared first on Below the Line.
March 28, 2017, 5:44 am
FuseFX Vancouver has announced the hire of visual effects veteran Chris Ryan as CG supervisor as part of a general expansion of its presence in British Columbia. Ryan will lead the facility’s enlarged 3D team on television projects including Zoo and Timeless. He brings more than 20 years of senior level experience in CG and […] The post CG Supervisor Chris Ryan Joins FuseFX Vancouver as Head of 3D appeared first on Below the Line.
March 11, 2017, 8:38 am
Blue Table Post is a relatively new video/audio post-production complex located in Brooklyn. Reportedly a long-time dream of triple Emmy-winning editor Oliver Lief, the complex was designed to support his creative talents and, those of Emmy-winning recording mixer/sound designer Rich Cutler and a team of colorist/vfx artists. Situated in a renovated five story building, in Brooklyn’s burgeoning […] The post Blue Table Post, A New Post-Production Facility in Brooklyn appeared first on ...
March 10, 2017, 6:09 am
The Motion Picture Editors Guild (MPEG), Local 700 IATSE, has announced that it will honor member Lillian E. Benson, ACE, with its prestigious Fellowship and Service Award on Saturday, April 8, 2017 at a dinner at the Sheraton Universal Hotel. The Fellowship and Service Award was established 10 years ago by the Guild’s Board of Directors to recognize an […] The post Motion Picture Editors Guild to honor Lillian E. Benseon, ACE with Fellowship and Service Award appeared first on Belo...
March 6, 2017, 5:52 pm
Lucky Post has announced that Elizabeth V. Moore has been promoted to editor. Moore has been working with her mentors and friends at Lucky Post since 2012, when she joined the company as an assistant. Working alongside Lucky Post’s senior editors, Moore has honed her talent editing music videos, television promos, short films, and commercials […] The post Lucky Post Promotes Elizabeth V. Moore To Editor appeared first on Below the Line.
February 21, 2017, 6:02 pm
When director Jon Favreau agreed to take on Disney’s The Jungle Book, he knew that extensive computer animation would be utilized. The major question was how to integrate a live-action performer — ten-year-old Neel Sethi as Mowgli — with computer-animated animals, and talking ones, no less, per Rudyard Kipling’s original story. “In this case, I […] The post Contender — The Visual Effects of The Jungle Book appeared first on Below the Line.
February 21, 2017, 6:26 am
2017’s Oscar front runner, La La Land, has employed thousands of craftspeople, technicians and artists to help flesh out director Damien Chazelle‘s vision of a Hollywood musical with a modern spin. Two such trusted teammates were sound designer and supervising sound editor, Ai Ling Lee and Mildred (Milly) Latrou, supervising sound editor. According to Lee, […] The post La La Land Sound Department appeared first on Below the Line.
February 21, 2017, 6:25 am
Hacksaw Ridge captured Golden Reels for Best Sound Editing in Feature Film for both FX/Foley and Dialogue/ADR. Supervising sound editor Robert Mackenzie stated, “This film really is an example of the whole being greater than the sum of the parts. Everyone put in so much and it really shows.” La La Land garnered yet another […] The post Golden Reel Awards: Hacksaw Ridge Wins Two Top Feature Film Honors appeared first on Below the Line.
February 20, 2017, 6:18 am
Racking up another win on its way to the Oscars next week, La La Land took home the Cinema Audio Society Award for Outstanding Sound Mixing Motion Picture – Live Action at the 53rd annual awards. Director Damien Chazelle was on hand to support his sound mixing team of Steven Morrow, CAS, Andy Nelson, CAS, […] The post 53rd Annual CAS Awards: La La Land Scores Top Sound Mixing Honors appeared first on Below the Line.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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