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April 16, 2012, 8:00 pm
(Ft. Worth, Texas--April 16, 2012) A leading medical training production company providing hours of online video content recently made a decision that nearly had their editing workflow on life support. Fortunately, the experts at Small Tree were on call and able to conduct a little known procedure that nursed Doctors in Training's editing workflow system back to health.
August 28, 2015, 12:32 pm
Cinesite delivered a major visual effects sequence for the Warner Bros. production San Andreas. As the first earthquake of the film strikes, a young woman driving alone in the Los Angeles mountains veers off the road, through a barrier and over a cliff. Hanging precariously in her car above the canyon, she phones for help. Cinesite’s visual effects cover this entire exciting sequence, as the team attempt to rescue her from their helicopter.
August 28, 2015, 5:08 am
Guy Ritchie is one director who doesn’t mind the odd chase sequence, and in The Man From U.N.C.L.E. he serves up three big ones. In 1963 Berlin, CIA agent Napoleon Solo (Henry Cavill) and unwitting mechanic Gaby Teller (Alicia Vikander) are pursued - in car and on foot - by KGB operative Illya Kuryakin (Armie Hammer) before escaping over the Berlin Wall.
August 28, 2015, 5:06 am
(NEW YORK, NEW YORK--August 27, 2015) Post-production for Show Me a Hero, the new 6-part drama debuting on HBO this month, recently wrapped up at Technicolor PostWorks New York. The post house handled dailies processing, editorial conforming, final color grading and deliverables. It also provided sound mixing through its PostWorks facility.
August 27, 2015, 4:04 pm
“Our job is not to be the star of the shot,” says Shade VFX senior exec producer David Van Dyke of his company’s work on Daredevil. Indeed, the show’s effects were not excessively showy, but as some of the effects tricks are revealed one realizes that there was probably more reliance on visual effects in the show than you first assumed.
August 27, 2015, 4:04 pm
In April, composer Kevin Kliesch won a Daytime Emmy for his work on the Disney animated series “Sofia the First." Now he is nominated for a primetime award for his work on the telefilm “Sofia the First: The Curse of Princess Ivy." As he jokes during our exclusive audio chat (listen below), “The Daytime Emmy is sitting on my piano and she’s waiting for her sister to arrive."
The day footage hits your desk, so do stacks of production documents—scripts, storyboards, transcripts, shot logs, audio...
This discussion thread is for the The Cutting Room episode where Gordon interviews Wyatt Smith, editor of Nine, Ricki and ...
join us and Tim Hanson to discuss the VFX and post process of The Avengers: Age of Ultron. Ask him about his process, tech...
Gordon sits down with Wyatt Smith, editor of Nine, Ricki and the Flash, Into the Woods, Thor II, and more! They discuss how h ...
In June 2015, Gordon hosted a panel for Manhattan Edit Workshop's "Sight, Sound and Story" event. The panel wa ...
In this episode, Gordon interviews Dan Lebental about his process for editing the latest Marvel extravaganza, Ant-Man. We now ...
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