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April 17, 2012, 7:10 pm
Nice Shoes has opened a new group of edit suites in its New York offices. The suites will run on the same technology and the same network as the rest of the studio's equipment, and will provide seamless transitions from the edit room to the studio's color, finishing, VFX and design capabilities. The studio will offer clients a choice between bringing their own staff editors onsite, or having Nice Shoes tap into its network of editors.
November 21, 2014, 4:52 pm
Chicago-based Cutters announced that it has promoted Aaron Kiser to editor. After studying telecommunications at Indiana University, Kiser moved to Chicago in 2007, where he soon landed an internship with Cutters. Over the next two-and-a-half years, he rose to become a tape room operator, and was named an assistant editor in 2010.
November 21, 2014, 4:51 pm
Like the titular train from the 40-year-old French graphic novel on which it’s based, Korean director Bong Joon-ho’s Snowpiercer zipped across the globe and arrived in American theaters this past summer. The film offered a dystopian sci-fi spectacle unique both for both studio-scale visuals in an independent release, and the sharp social critique set in its near-future of careening climate change.
November 14, 2014, 4:58 pm
To create the small screen adaptation of its miniseries, Olive Kitteridge, HBO turned to Encore for dailies, conform, color and supportive VFX. Unlike typical episodics, which are generally shot digitally, Olive Kitteridge was shot on film, requiring full DI on top of the postproduction services for the show’s four hours of content.
November 13, 2014, 10:41 am
Blackmagic Design announced that it is now offering Fusion 7 visual effects and motion graphics software completely free of charge on its website. The company, which acquired Eyeon Software in September, also announced Fusion 7 Studio, which includes a complete bundle of VFX and motion graphics software with collaborative tools and unlimited network rendering for creative teams and larger facilities, will be available for $995.
November 13, 2014, 10:41 am
Technicolor PostWorks New York will host a featured panel discussion offering advice to documentary filmmakers on navigating the postproduction process at 2:00 p.m., Nov. 13 at New York’s IFC Center as part of the DOC NYC documentary film festival. The facility, which has a long history of collaborating with feature length documentarians, is also serving as a signature sponsor of this festival.
November 12, 2014, 10:39 am
New York-based postproduction boutique Hooligan announced that it has hired senior visual effects flame artist Paul Marangos.
November 10, 2014, 10:36 am
The 9th Annual HPA Awards were presented at a gala evening at the Skirball Cultural Center in Los Angeles Thursday, recognizing the creative achievements of individuals and companies, as well as creative excellence and groundbreaking technologies within the postproduction industry.
November 10, 2014, 10:36 am
Modern VideoFilm is currently providing all final video postproduction services for the hit CBS series Madam Secretary. Senior colorist Todd Bochner (Sleepy Hollow) is performing final color grading for the show out of Modern's boutique Santa Monica facility. Previously, the color was done by a New York-based facility with Modern handling the conform and final deliverables.
November 4, 2014, 10:40 am
Whitehouse Post has promoted L.A.-based Brandon Porter to editor. Born in Memphis, Porter zeroed in on an editorial career in high school and attended SCAD where he majored in film and photography. Upon graduation, Porter worked for Lab 601 in Atlanta then moved to Beast in L.A. before joining Whitehouse Post in 2010. Since then, Porter has worked with a slew of directors including Oscar nominee Fernando Meirelles (City of God), Bully Pictures’ famed surf documentarian Taylor Steele and MJ...
November 3, 2014, 10:43 am
Filmage: The Story of Descendents/All began as a passion project for a group of creatives working at Dallas-based post house CharlieUniformTango (CUT), and quickly evolved into a full-fledged documentary production. Within four years, the film's directors Deedle LaCour and Matt Riggle, along with editors Justin Wilson and James Rayburn, had traveled the world, combining a love for old-school punk music with filmmaking skills to deliver an indie flick that recounts the history and influence ...
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