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April 17, 2012, 7:10 pm
Nice Shoes has opened a new group of edit suites in its New York offices. The suites will run on the same technology and the same network as the rest of the studio's equipment, and will provide seamless transitions from the edit room to the studio's color, finishing, VFX and design capabilities. The studio will offer clients a choice between bringing their own staff editors onsite, or having Nice Shoes tap into its network of editors.
December 1, 2015, 6:51 am
Beast has added editor Jason Painter to its Atlanta roster. Painter’s career spans 20 years in markets throughout the U.S., working with clients ranging from Toyota to Nike, and earning awards from Cannes Lions, AICE and CLIO, along with an Emmy nomination. At Beast’s Atlanta studio, he will work with co-located outposts of Company 3 and Method Studios to service clients nationwide. He will also be available in the six other markets where Beast has offices. The post Editor Jason Painter...
November 24, 2015, 10:32 am
According to Nathan Nugent, editor of Room, director Lenny Abrahamson is always open to changes on set. He had plans for how a scene was going to work, but he did not storyboard every scene. Rather he trusted the actors and their organic movement, taking how they work as a key. The post Contender – Editor Nathan Nugent, Room appeared first on Below the Line.
November 20, 2015, 7:02 pm
The Hollywood Professional Association (HPA) has opened registration for its 2016 Tech Retreat, scheduled for Feb. 15-19 at the Hyatt Regency Indian Wells, near Palm Springs, Calif. The post HPA Opens Registration for the 2016 Tech Retreat appeared first on Below the Line.
November 19, 2015, 5:27 am
Brickyard VFX Boston has moved into a new 8,000 square foot studio near downtown Boston in the Leather District. The new home is in a 100-year-old factory that was stripped to the studs and retrofitted with Brickyard's collection of vintage doors, furniture, walls, windows and floors, including an 1890s carved oak bar and glass studded sidewalk from an old industrial neighborhood in Fitchburg, Mass. Brickyard was founded in 1999, and this marks the company's third location, moving from its...
November 17, 2015, 5:09 pm
Santa Monica-based visual effects studio Luma has hired Ella Keeven as head of marketing. Keeven brings over 10 years of experience marketing companies and brands in the creative industries, giving her the expertise to further develop Luma’s stature in the worlds of feature films, advertising and original content creation. The post Visual Effects Studio Luma Hires Ella Keeven as Head Of Marketing appeared first on Below the Line.
November 17, 2015, 10:25 am
When visual effects supervisor Tim Alexander undertook the task of bringing dinosaurs to life for the third Jurassic Park sequel, his challenge was made somewhat less daunting due to the familiar territory of Industrial Light & Magic as the project’s effects base. “Being at ILM, we had a lot of history,” he said. “A lot of the people who worked on the original are still there – Denis Muren [visual effects supervisor] and Phil Tippett [dinosaur animation supervisor] consulted with...
November 13, 2015, 1:25 pm
Whiplash, Birdman and Game of Thrones were among the winners at the 10th Annual Hollywood Post Alliance Awards that took place at the Skirball Cultural Center in Los Angeles, last night. The evening’s festivities recognized outstanding achievement in color grading, editing, sound and visual effects in film, television and commercials. The post The 10th Annual HPA Awards Winners appeared first on Below the Line.
November 12, 2015, 12:41 pm
Tattersall Sound and Picture is currently providing final sound mixing services for the second installment of the critically acclaimed series Fargo. The Toronto-based studio has come up with a unique way for the show's Los Angeles-based producers to monitor the work. The post Tattersall Turns Edit Suite into a Virtual Mix Stage for Second Season of Fargo appeared first on Below the Line.
November 12, 2015, 12:41 pm
You know when you sit down to watch a film and it immediately cements you to your seat with that certain level of awe. It grabs hold of you and saturates your eyes with wonderment while you bravely ignore that acute pain building in your bladder… Director Denis Villeneuve’s film Sicario has that type resonance and that might even be an understatement. The post Contender – Editor Joe Walker, Sicario appeared first on Below the Line.
November 10, 2015, 1:30 pm
FilmLight announced that it is making it free to use Baselight Editions to read and render color grades. As the grade is created in the color suite, now it can be seen immediately in Avid editorial and NUKE VFX without needing to purchase a license for those systems. The post FilmLight Introduces Free Read-Only Version of Baselight Editions appeared first on Below the Line.
Is it Optical Flow? Support for El Capitan? Is it a bug fix? How about some of the other features like Stacked Panel Group...
We aren't there yet but what films are stand out this year for post?
Gordon sits down with Joe Walker (12 Years a Slave, Sicario) to discuss the editing process of Sicario. If you haven't s ...
Gordon sits down with Eddie Hamilton to discuss the editing process of Mission: Impossible - Rogue Nation. If you haven' ...
More often then not, when editing a project, production value can be increased by some refinements that don't always fit ...
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