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  • Nice Shoes Opens New Edit Suites

    Nice Shoes Opens New Edit Suites

    April 17, 2012, 7:10 pm
    Nice Shoes has opened a new group of edit suites in its New York offices. The suites will run on the same technology and the same network as the rest of the studio's equipment, and will provide seamless transitions from the edit room to the studio's color, finishing, VFX and design capabilities. The studio will offer clients a choice between bringing their own staff editors onsite, or having Nice Shoes tap into its network of editors.

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  • Other Postings By Member

    • Avid Supports Aspiring Filmmakers at Sundance Inst
      EDITING

      Avid Supports Aspiring Filmmakers at Sundance Inst

      July 2, 2015, 9:24 am
      Avid has renewed its support for the Sundance Institute Directors Lab at Sundance Resort in Utah as part of the company’s commitment to developing the next generation of creative professionals. Emerging filmmakers taking part in the month-long lab will use creative applications and shared storage systems powered by the Avid MediaCentral platform to help them hone their techniques.

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    • CineSync 3.6 and Shotgun Integration Released
      VFX

      CineSync 3.6 and Shotgun Integration Released

      July 2, 2015, 9:24 am
      Cospective announced the commercial release of cineSync 3.6, featuring the new integration between remote review-and-approval tool cineSync and Shotgun production tracking, review and asset management software.

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    • Emmy Watch: Editor Michael O’Halloran, Outlander
      EDITING

      Emmy Watch: Editor Michael O’Halloran, Outlander

      June 29, 2015, 10:00 am
      Back in 2009 when Battlestar Galactica was wrapping up its successful series run, executive producer Ron Moore's wife, Terry Dresbach, and his producing partner Meryl Davis began talking about a book series they had loved entitled Outlander, by Diana Gabaldon. Two time Emmy nominated editor Michael O'Halloran, an editor on Battlestar, who had worked with Moore previously on Star Trek: Voyager, had worked with Moore on all his projects and was also looking forward to future endeavors. A few...

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    • Editors Win IATSE Contract After Brief Strike
      EDITING

      Editors Win IATSE Contract After Brief Strike

      June 24, 2015, 11:42 pm
      The postproduction crew on WE TV’s Marriage Boot Camp staged a brief, nine-hour strike yesterday against production company Thinkfactory Media demanding IATSE representation. By the end of the day, the Editors Guild union reps had reached a deal with the producers allowing the crew to return to work.

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    • Splice Hires VFX Artist Ryan Markley
      VFX

      Splice Hires VFX Artist Ryan Markley

      June 23, 2015, 12:12 pm
      Minneapolis-based creative studio Splice has hired VFX artist Ryan Markley whose film credits include Deliver Us from Evil, The Expendables and The Mechanic.

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    • Maxon Cinema 4D Helps VFX Artists Deliver Avengers
      VFX

      Maxon Cinema 4D Helps VFX Artists Deliver Avengers

      June 19, 2015, 10:56 pm
      Los Angeles-based Cantina Creative and London-based Territory Studio recently relied on Maxon’s Cinema 4D to create numerous visual effects for Marvel Studios' Avengers: Age of Ultron.

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    • Re-Recording Mixers Steve Pederson and Daniel Leah
      EDITING

      Re-Recording Mixers Steve Pederson and Daniel Leah

      June 17, 2015, 4:36 am
      Sony Pictures Post Production Services has added re-recording mixers Steve Pederson and Daniel Leahy to its creative staff. Pederson and Leahy have worked as a team on a number of motion picture projects, including the Antoine Fuqua film The Equalizer, which, as independents, they mixed on Sony Pictures’ Cary Grant Stage last year. They are currently mixing Fuqua’s latest film, Southpaw on the Sony lot. Upcoming projects include HBO’s True Detective and Fuqua’s remake of The Magnific...

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    • The Sound of Jurassic World
      SOUND

      The Sound of Jurassic World

      June 16, 2015, 5:09 am
      In this exclusive profile SoundWorks Collection talks with sound designer and re-recording mixer Pete Horner and supervising sound editor/sound designer Al Nelson from Skywalker Sound about their work on Jurassic World.

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    • Colorist Todd Bochner Joins Chainsaw
      COLOR

      Colorist Todd Bochner Joins Chainsaw

      June 10, 2015, 11:01 am
      Supervising senior colorist Todd Bochner has joined Chainsaw, Hollywood, (part of the SIM Group). Bochner arrives with more than 20 years of experience and credits on more than 50 television series, as well as numerous features, commercials and music videos. His first project at Chainsaw will be the HBO series The Leftovers.

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    • Company 3 Uses DaVinci Resolve for D-Cinema and Do
      COLOR

      Company 3 Uses DaVinci Resolve for D-Cinema and Do

      June 8, 2015, 9:43 am
      Company 3 recently relied on Blackmagic Design's DaVinci Resolve to grade Tomorrowland. As the movie is the first title to be released in Dolby Vision, Company 3 also used DaVinci Resolve to create a pass for the new projection system.

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