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February 27, 2009, 11:41 am
Our world is filled with interactive options, and today’s production, post and graphics companies are embracing all the new content needed for the Web, the iPhone or whatever handheld device you might call your own. It’s a brave new world that is bringing new revenue streams to studios, whose challenge is to ramp up with new or existing gear to create more cost-efficient workflows that don’t skimp on quality or creativity.
February 27, 2009, 11:41 am
Now well entrenched on broadcast and cable networks, reality programming has expanded beyond competition-based shows to include documentary-style series and real-life help panels, which require post production workflows tailored to their individual needs.
February 19, 2009, 11:34 am
THIS coming Monday February 23, 2009 AVID's website will be hosting a live chat online with Chris Dickens editor and Oscar nominee of Slumdog Millionaire anyone can participate in the discussion. It takes place 1:00 PM PST – 2:00 PM PST / 4:00 PM EST – 5:00 PM EST. You need to register with AVID.
February 17, 2009, 11:33 am
The Australian Screen Editors have begun their Sundowner. Each month on the first Sunday the ASE have a casual catch up over cold beer. This months Location is The Oaks Pub at 3PM on Sunday March 1st. For the ASE website Click Here.
February 15, 2009, 11:32 am
On February 5, The Landmark Theatre complex in West Los Angeles played host to the latest presentation in Paramount Pictures’ "Craft Salon" evenings, a panel and reception devoted to the behind-the-camera talent on David Fincher’s The Curious Case of Benjamin Button, which has received 13 Academy Award nominations. Moderated by Bruce Carse, the all Oscar-nominated panel consisted of picture editors Angus Wall and Kirk Baxter, director of photography Claudio Miranda, costume designer...
February 14, 2009, 11:31 am
Its not surprising that a group like the Mayor's Office of Film, Theatre and Broadcasting in New York is taking the time and expense to promote careers in post-production—specifically editing and sound design. But this isn't some newbie effort in response to the current downturn in the economy; such panels featuring production, post, and facilities' managers to promote the city's top creative talent have been a regular part of the office's plans over the past few years.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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