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April 18, 2012, 2:47 pm
MOTO Inc is a relative stranger to the capture and playback market for video, so we thought we'd take a look at the new Thunderbolt equipped HDX-SDI.
April 27, 2010, 7:04 pm
Avid Media Composer remains the standard package for the higher end of professional digital video editing. In the past, even the software-only version came with an astronomical price to match its professional image. This has prevented the application from filtering down to smaller independent videomakers, and Apple’s Final Cut Pro has been nipping at its heels.
April 27, 2010, 7:03 pm
For video editors, NAB is akin to a pilgrimage. Every year they flock to Vegas, push themselves through the crowds to the booths of the video editor purveyors, and watch, learn, debate and yearn.
April 27, 2010, 7:02 pm
Adobe truly delivers solutions from "plan to playback." Earlier this year, I had an opportunity to visit with the product managers, software engineers and evangelists up in San Jose, and that clearly was and is their mantra. In a single page review, I’ve opted to focus my attention on this new version of Premiere Pro CS5, which I was excited to learn has now been natively optimized for 64-bit operating systems (which, by the way, is now a requirement to host).
April 27, 2010, 12:54 pm
This week Gordon interviews Julian Clarke, editor of District 9. In this episode Julian talks about editing effects, and cutting a documentary/fiction style.
April 26, 2010, 7:02 pm
The landscape in the broadcast world is changing. Big time. Think about it - broadcasters have:
April 26, 2010, 7:01 pm
EditFest NY 2010 has confirmed editor Michael Berenbaum as a panelist for this year's event. Michael's acclaimed work includes Before Night Falls, Nurse Jackie and Sex and the City 1 and 2 (including the series). For more information on this year's event go to www.editfestny.com.
April 26, 2010, 7:01 pm
AVID Media Composer rules high end production for feature films and broadcast. Even though other systems offer competition, AVID remains a formidable force at the high-end of film and video production. So what is it which makes AVID Media Composer so strong? In this discussion key members from AVID discuss the strengths which Media Composer offers, they talk about key features to the newly announced AVID Media Composer 5, and explain just why AVID editors LOVE the AVID and why the vast...
April 26, 2010, 7:00 pm
Avid just isn’t slowing down. I advised them that they just needed to slow down. But did they listen? Nope. Why slow down? Because just as soon as you get used to one version, another version comes along and has tons more features that you want.
April 25, 2010, 4:06 pm
We've started a small blog for the NY Edit Fest. With our arrival at PENN St. we've started the blog to help you keep up with the event.
April 25, 2010, 1:08 pm
Forward edit is a blog that looks at post production art and technology.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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