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July 6, 2010, 9:29 am
Fortunately for Walter, he discovered at an early age that he had a gift for sound recording, even though he didn't take his youthful experiments seriously until after he had explored other paths, including architecture and oceanography. Always eager to push things and see what happens, he found himself in good company at USC film school, where he met George Lucas, another graduate student whom instructors identified as a troublemaker for daring to challenge cinematic conventions. Impressed...
July 5, 2010, 1:53 pm
I feel so grateful to be able to speak about Dede today. I know many of you knew her well––some for decades, some for a lifetime. It’s Rashomon now. Each of us has his or her own particular vision of her, and every one is true.
July 3, 2010, 12:29 pm
What do you call an energetic gathering of some of the top editors from past and present, East coast and West coast, who finish their day and a half convocation with a mind numbing look at the complexities of editing Cameron's singular Avatar?
July 2, 2010, 2:57 pm
Today’s piece is focused on changing the quality of the clips you are working with in Media Composer. Using the Video Quality Control button, found on the bottom of the sequence window, you can toggle the playback quality of the clip. This works great when you are working off a USB powered drive, editing HD material while on your laptop.
July 2, 2010, 2:55 pm
It was only a few years ago that Avid, trying to win back the hearts and minds of customers who were abandoning them and going to Final Cut and other systems, adopted the motto: "We’re Listening." With the release of Media Composer 5, it’s obvious they did.
July 2, 2010, 12:30 pm
It might surprise some to learn that the most important part of post-production for an independent film is the pre-production phase. Before shooting a single frame or pixel, the first decision any independent moviemaker should make is to scout an indie-friendly, post-production facility. Achieving success cannot occur without tediously planning for the end of the production. It becomes increasingly pertinent when working with tighter time constraints and the budget of an independent film...
Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
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