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April 22, 2012, 2:11 pm
While Adobe CS6 is coming down the pike, maybe you're like me and are still getting to know CS 5.5, or maybe you've been using CS 5.5 for awhile and want to brush up on your editing workflow. In either case, you should check out this Premiere Pro CS 5.5 tutorial by Jarle Leirpoll. He goes over all sorts of useful primary and secondary color correction techniques, including methods for fixing moire, blown-out highlights, iris adjustments, and more.
May 24, 2016, 12:38 pm
Crispin Green has edited some of the top TV shows in recent times. It was a pleasure to site down with him to talk about the craft of editing and his career.
May 24, 2016, 9:14 am
While tracking down the artists responsible for the effects of The Eternal Sunshine of the Spotless Mind, visual effects supervisor Louis Morin confided to me, ‘You’ve got the wrong man. The real magician here is Michel Gondry.’ Normally, the production’s visual effects supervisor is a good barometer for a film’s artistic and technical effects; but Louis was not being disingenuous.
May 24, 2016, 5:29 am
Attempting to standardize tapeless reconforms? This is part of how I have ultimate tapeless reconform control with both Avid & Media Composer. Maybe this is helpful to share? This is more for understanding of how one can use both MXF OP-Atom Media Files and then switch at anytime in either box to reconform original camera masters. Why not be able to do both at anytime.
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
There's one tool I've always wanted to have as a part of my editing room arsenal and that's iZotope's RX ...
Gordon talks to Andy Donahue from Killer Tracks about their music library, getting stems, and more!
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