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  • AOTG

    Premiere Demo from NAB 2012

    April 24, 2012, 10:57 am
    Here's a quick Premiere Pro demo I did on the last day of NAB 2012. It was recorded using a new Newtek TriCaster 8000 and the results are pretty cool. In the video I review a few quick features that we've been working on in Premiere Pro CS6. Many more videos to come – stay tuned.

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  • Other Postings By Member

    • AOTG
      EDITING

      Pixel Announces ProParagraph Selects for FCPX

      November 7, 2018, 5:24 am
      Developers at Pixel Film Studios, creators of visual effect tools for the post-production and broadcast markets, announced the availability of ProParagraph Selects enabling film editors to add professionally stylized description titles to Final Cut Pro X projects.

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    • AOTG
      EDITING

      Free Premiere Pro Title Templates

      November 5, 2018, 10:05 am
      Who doesn’t love a freebie? Well, how about 14 of them! We know how important good resources are when you're on a budget, so we've put together the best free premiere pro title templates and opening effects to lend you a helping hand.

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    • AOTG
      VFX

      Deadpool 2 VFX Breakdown

      November 5, 2018, 10:05 am
      Really cool VFX Breakdown by DNEG about their work on DEADPOOL 2...

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    • AOTG
      EDITING

      Latest Lightworks Editing Software Comes with New

      November 5, 2018, 5:54 am
      The Lightworks version 14.5 Editing Software provides uninterrupted creative editing, grading and visual effects workflow. The software offers support for variable frame rates (.mov .mp4, .m4v) and Voice Over and Mackie MIDI. It’s individual clip R3D decode settings panel and project-wire R3D decode settings improve workflow with RED film cameras. This software enables user to transcode, render or generate Cineform proxies and to export audio compositions directly to REAPER. The Lightworks’ new version is compatible with XDCAM HD, AVCHD, GFCAM, JVC, GoPro, FlipVideo, and Canon folder structures.

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    • AOTG
      EDITING

      Progress Bars for Final Cut Pro X

      November 4, 2018, 7:34 am
      The 28 generators provide a wide variety of progress, loading, processing, playing bars and rings as well as hi-tech mographs. Each template comes with many ways to customize the look. Whether you’re working on presentations, documentaries, news, demos or viral videos, Progress Bars enables you to add a stylish touch to your infographics/motion graphics with originality and ease.

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    • Intelligent metadata search in Premiere Pro
      EDITING

      Intelligent metadata search in Premiere Pro

      November 4, 2018, 7:34 am
      A search engine integrated into Premiere Pro, PowerSearch makes it easy for editors to find specific clips within their Premiere timelines with a simple Google-like text search.

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    • AOTG
      ANIMATION

      Destructing Elements in Maya With PullDownIt: Part

      November 4, 2018, 7:34 am
      Destructing Elements in Maya With PullDownIt: Part 8

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    • Bohemian Rhapsody editor, John Ottman
      EDITING

      Bohemian Rhapsody editor, John Ottman

      November 3, 2018, 6:41 am
      There are very few big-time editors who do double duty as legitimate film composers, but in this Art of the Cut, we’ll be talking to one of them: John Ottman, ACE. He performed both of these jobs on The Usual Suspects, X-Men 2, Superman Returns, and Valkyrie.

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    • AOTG
      VFX

      CG grads picked for major film competition

      November 3, 2018, 6:40 am
      Dakota Taylor and Caleb Wallace had a little more than two days to write, shoot, edit and finalize a short film with a team of other Indiana University filmmakers. The Center Grove High School graduates found out the parameters of the prestigious Make Your Mark film competition on Aug. 24, and immediately got to work.

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    • AOTG
      SOUND

      7 Audio Podcasts to Listen to

      November 3, 2018, 6:40 am
      You can hear from three beloved composers about how they came to write music for video games, learn how to control those pesky high frequencies, go behind the scenes with the sound of Arrival, get David Lynch’s perspective on sound and meditation, learn how to bounce back from burnout and avoid overload, hear about ASitP’s new studio and Matt and Gord’s thoughts on ethical employment, and hear an interview with composer, voice actor, and most-entertaining-man-on-the-stage Alexander Brandon. Happy listening!

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