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April 30, 2012, 10:06 am
The guys at Ripple Training have branched out from their excellent tutorials and released Callouts, a USD49 FxFactory based plugin for Final Cut Pro X. If you need to make a graphic point onscreen, a few clicks of Callouts will make sure it's seen.
July 1, 2015, 4:15 pm
The AES 59th International Conference, with an emphasis on sound reinforcement engineering and technology, is fast approaching. Program details have been announced for the event, taking place July 15 - 17, 2015, at McGill University in Montreal, Canada. This is the first AES International Conference in over 25 years dedicated to large scale sound reinforcement, public address, and live sound.
July 1, 2015, 12:38 pm
My workflow on set is to load all the 3D LUTs that I have created for a feature or TV pilot into my Flanders CM250 OLED lighting monitor. The monitor can hold up to 16 LUTs. I designed a total of sixteen LUTs on Need for Speed, four LUTs for Fathers and Daughters and currently fourteen LUTs for Into the Badlands. Each LUT has to be linked to your specific camera’s sensor to be the most accurate.
July 1, 2015, 12:37 pm
DreamWorks Animation has hired former Fox communications executive Dan Berger as head of corporate communications for the company, filling the void left by Chip Sullivan who took at job over at NBC in corporate communications in April.
July 1, 2015, 9:24 am
Tony Orcena has edited 32 episodes of Modern Family, but the one he gets asked about most was one of the most discussed comedy episodes of 2015. This was the episode that was filmed entirely on a variety of personal devices—phones, computers—as Claire, stuck at an airport, is desperately trying to track down Haley after an argument. “Connection Lost” was a first for television, and it couldn’t have been possible with Orcena’s editing skills.
July 1, 2015, 9:21 am
Share experiences, exchange knowledge about how, discover the creative work of the community, more than 250 participants gathered at the Adobe Creative Meet Up, which was held Thursday, June 25 in Paris.
July 1, 2015, 9:21 am
Many live sound engineers sometime make life difficult for themselves by confusing when to use the various types of EQ. For instance, if you use your board EQ more for tuning the room, you'll find that it will take you longer to tune the system every night. Instead, the board EQ should be used for just EQing the mics to either the vocals or instruments onstage, while the system EQ is used to tune the room. That way, there's only one set of equalizers that change from venue to venue.
We all know multiple NLE's these days, if you have a choice on a project, what NLE do you choose and why?
We all work under tight deadlines and with co-workers who... might have ego's, so how do you deal with stress in the cutting room?
We all know the major ones, Murch, Rawlings, Ben Burtt... But there are a lot of film post professionals who we haven't he...
This is an excerpt from London Edit Fest 2015 with Adrian Pennington interviewing Terry Rawlings, ACE. The excerpt focuses on ...
This weeks post news looks at Rick Baker's retirement and Adobe's CC 2015 Announcements.
We sat down for a chat with Jon Chappell, owner of digitalrebellion.com, about their plugins, apps, and the cloud service Kol ...
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