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June 29, 2016, 5:47 am
The first version of ON1 Photo RAW, which will launch in the Fall, is mostly defined, but ON1 aims to take the program further. To do that they want customers to be a part of what the company is building. They ask users to have a voice in the future of RAW photo editing. ON1 The post Have a voice in the future of RAW appeared first on ProVideo Coalition.
June 28, 2016, 10:10 pm
Every post production house in the world that runs Windows machines probably has a copy of QuickTime Pro for Windows on it. It’s pretty much our “go to” application for just about every file we import/link to in our edit systems. I use it daily to check files, add and delete audio channels, and even The post QuickTime’s Death means it’s time to Switch! appeared first on ProVideo Coalition.
June 28, 2016, 10:04 pm
A blog post from Elle Schneider on the Digital Bolex site reveals the sad news: after 30 June 2016 at 11:59 PDT (that’s this Thursday night, folks), the D16 digital cine camera will no longer be sold. The website and support functions will continue, but the camera itself will no longer be available. No details were provided behind The post Last Call: Digital Bolex D16 to be Discontinued appeared first on ProVideo Coalition.
June 27, 2016, 10:40 pm
There is a rule of thumb that is a near universal standard when it comes to and upgrading a new version of your nonlinear editing software mid-project: don’t do it. Those are words to live by. You’ll read this all over the internet. Always wait until you are between projects to update to the newest version The post How to upgrade your NLE software mid-project. Not that you should. appeared first on ProVideo Coalition.
June 27, 2016, 4:39 pm
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about color. The color of your bins, the color of your Project window, and even the color of your timeline window, and how to adjust them. Then, it’s onto talking about how to adjust the clip colors in your timeline, which will give The post Let’s Edit with Media Composer – ADVANCED – Clip & Interface Color Options appeared first on ProVideo Coalition.
June 26, 2016, 4:53 pm
In field production or in the studio, ideally, we record every audio source on its own track for absolute control in post. For many years, I have been covering devices to accomplish that. However, some producers need to stream live or to record live-to-drive, where all voice sources are mixed on the fly, i.e. when The post Multitrack audio for best control later, versus live mix appeared first on ProVideo Coalition.
June 26, 2016, 9:27 am
I have interviewed nearly 60 of the top editors in the world at this point including more than a dozen Oscar winners and I have never been star-struck until this interview with Anne Coates, ACE. At the same time, I felt like I was talking to a long-time friend. Coates won an Academy Award for The post ART OF THE CUT with legendary Oscar-winning editor, Anne Coates appeared first on ProVideo Coalition.
June 24, 2016, 8:58 pm
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can get tripped up when restoring clips from a Camera Archive in Final Cut Pro X. A Camera Archive is the name for a bit-for-bit copy of a camera card, preserving the card structure and all related metadata. When you insert The post Reimporting from Camera Archives in Final Cut Pro X appeared first on ProVideo Coalition.
June 24, 2016, 8:54 pm
Soon on a campaign at Indiegogo, idolCam is the latest product from AeriCam. With it, the company says, anyone can capture silky, smooth movies like the pros. According to AeriCam, the end of vacation and wedding videos that look too amateur is near. If you feel embarrassed to share with friends and families and you The post IdolCam: the end of jittery video appeared first on ProVideo Coalition.
June 24, 2016, 8:23 pm
Ep. 39 getLayFXMatchNames Free Function Friday Free Function Friday getLayFXMatchNames Welcome to Free Function Friday episode 39 getLayFXMatchNames. This week we go over getting match names of plugin effects with a simple function that takes a layer object as the argument and loops through it’s Effects property group getting their match names. This function is The post Free Function Friday getLayFXMatchNames appeared first on ProVideo Coalition.
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
There's one tool I've always wanted to have as a part of my editing room arsenal and that's iZotope's RX ...
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