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May 1, 2012, 8:20 am
As I detailed in my previous What is Avid Symphony? post, colour correction is the feature that most sets Symphony apart from Media Composer. More specifically it's relational colour correction tools – but that’s a little hard to clearly explain in writing, so I pickup a microphone and screen capture...
July 20, 2014, 9:51 am
As part of my Tickle King documentary project it became necessary for me to put together a better home edit suite than my laptop. It’s been a long time since I actually needed anything with any real power at home, so I needed to start from scratch. I’ve built plenty of computers in the past, […]
December 17, 2013, 4:18 am
It’s been quite a while since I did a lot of work for varied clients. Way back then it was a constant pain to share our edits with clients and get their feedback. We were either sending DVDs or uploading files to places like YouTube, then exchanging emails. At the time I looked for better […]
October 23, 2013, 4:00 am
The new Apple Mac Pro was finally announced in detail today… The entry level model start at $2,999, with the next base model starting at $3,999. So what does three thousand get you? Let’s try to build something similar (on paper) to the entry level Mac Pro. The Build We’ll start with CPU – the […]
October 17, 2013, 4:42 am
When we have discussions of editors, editing and post-production software we often get hung up on the word professional – this was especially the case during the arrival of FCP X where many commentators were criticised for writing off many working editors as not being professional by insisting that FCP X wasn’t suitable for professionals. So who is […]
June 27, 2013, 6:28 pm
Editor, Wim Van den Broeck (@editorbelga) has put together a great set of slides highlighting, in brilliantly simple fashion, 25 new features in Media Composer 7. It should probably be pointed out that Wim is not an Avid employee, so these images are not official Avid marketing material.
June 26, 2013, 10:19 am
Occasionally when trying to do basic 2D tracking in After Effects I find myself in a situation where I just can't get a useful track. Either my tracking point is obscured or something crosses. However I find that After Effects...
June 25, 2013, 4:29 am
A few years ago I worked at a post house in Auckland called Images and Sound. While I was there I had the good fortune to work with colourist Paul Lear and observe the recently new (at the time) FilmLight Baselight grading suite. This was a time when we were...
I used to use a great piece of software to manage my time, my clients, projects and even invoice - but it is discontinued....
We all know the major ones, Murch, Rawlings, Ben Burtt... But there are a lot of film post professionals who we haven't he...
We all know multiple NLE's these days, if you have a choice on a project, what NLE do you choose and why?
This is an excerpt from London Edit Fest 2015 with Adrian Pennington interviewing Terry Rawlings, ACE. The excerpt focuses on ...
This weeks post news looks at Rick Baker's retirement and Adobe's CC 2015 Announcements.
We sat down for a chat with Jon Chappell, owner of digitalrebellion.com, about their plugins, apps, and the cloud service Kol ...
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