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  • Art of the Title: Smokin' Aces

    Art of the Title: Smokin' Aces

    May 1, 2012, 8:23 am
    High-contrast colors and a soulful beat instantly transport the viewer back to films of the ’60s and '70s to revisit the story they just experienced in this main-on-end title sequence. Hep assassins brandish guns and shoot pool, a cop takes a rending shot to the gut, and a femme fatale calmly looks down the sights of her iron: still images captured as if with a rostrum camera.

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  • Other Postings By Member

    • AOTG
      EDITING

      MGU Interview: Editor Julian Clarke

      March 6, 2015, 5:44 am
      In this interview from the Movie Geeks United podcast, Oscar-nominated editor Julian Clarke speaks about his nomination for editing 'District 9'. For more in...

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    • AOTG
      VFX

      VFX of The Hobbit: The Battle of the Five Armies

      March 6, 2015, 5:38 am
      The adventures of Bilbo Baggins and the company of dwarves comes to a climatic conclusion when they are faced with the devastating consequences of having unl...

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    • Gordon Kent, RIP
      ANIMATION

      Gordon Kent, RIP

      March 5, 2015, 5:10 pm
      One of the really hard workers in animation ... and really good guys ... passed away early this morning.

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    • 5 Common Film Color Schemes
      COLOR

      5 Common Film Color Schemes

      March 5, 2015, 10:38 am
      Being able to use color to create harmony, or tension within a scene, or to bring attention to a key visual theme can be used to spectacular effect. In this article we look at 5 common film color schemes that can help you understand how cinematic color design works.

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    • KINGSMAN – THE SECRET SERVICE: Andrew Booth
      VFX

      KINGSMAN – THE SECRET SERVICE: Andrew Booth

      March 5, 2015, 10:37 am
      In 2012, Andrew Booth had detailed to us the work of Blind Ltd on SKYFALL. He then worked on projects like CRYSIS 3 THE FIFTH ESTATE and JACK RYAN: SHADOW RECRUIT.

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    • AOTG
      EDITING

      Sales of Pro-Video NLE's Expected to rise

      March 5, 2015, 10:37 am
      The emergence of Web collaboration tools and workflows, digitization of content, and the shift towards 4K resolutions are powering the global non-linear editing (NLE) market. Furthermore, the increase in the number of creative professionals with access to high-quality video capture and share devices, due to the wide availability of connected devices, has lent momentum to NLE. While the United States and Western Europe represent the larger markets for NLE solutions today, Asia and Latin America are the regions witnessing the fastest growth.

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    • AOTG
      SOUND

      Sound Devices 688 Mixer Takes it to the Next Level

      March 5, 2015, 10:35 am
      Sound Devices, specialists in audio and video products for broadcast and film production, introduces its next-generation field mixer with the 688, a 12-input, 16-track portable mixer/recorder.

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    • FCPX Has Its Cold Mountain Moment
      EDITING

      FCPX Has Its Cold Mountain Moment

      March 5, 2015, 10:35 am
      The surest test of any moviemaking software or hardware product is in using it throughout the making of a major motion picture. Final Cut Pro X was put to the test doing exactly that in the latest Will Smith star vehicle, Focus, and Apple’s sometimes controversial NLE passed with flying colors.

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    • AOTG
      COLOR

      Cinema Colour By Rocket Rooster

      March 5, 2015, 5:34 am
      Here's a quick look at the Rocket Rooster Cinema Colour Pack. The looks are from the popular Cinema Colour and Nature looks (an update to the Cinema Colour Family…

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    • AOTG
      COLOR

      DaVinci Resolve: Quick White Balance Correction

      March 5, 2015, 5:34 am
      Have you ever forgotten to set your white balance on your camera before shooting some video? Or have you downloaded your footage and realized that the color ...

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