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  • Canadian Cinema Editors

    Canadian Cinema Editors

    January 12, 2010, 12:19 am
    Canada

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  • Other Postings By Member

    • Richard
      ANIMATION

      Rendering an Axe Model in KeyShotComputer Graphics

      November 22, 2015, 6:30 am
      Rendering an Axe Model in KeyShot, Learn how to Render an Axe Model in KeyShot. Rendering an Axe Model in KeyShot, Model in KeyShot, Render a Model in KeyShot, KeyShot, Tutorial, Rendering, Axe (Product Category), keyshot, 3d rendering, cg, zbrush, digital sculpting, sculpting, KeyShot tutorial

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    • Richard
      VFX

      New Control Maker, Creates Specialty Rigging Contr

      November 21, 2015, 10:57 pm
      Time to retire the idea of having native nulls as control elements in After Effects. The Post New Control Maker, Creates Specialty Rigging Controls for After Effects originally appeared and published by lesterbanks

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    • Richard
      EDITING

      New SLR Magic Cine 50mm f/1.1 Budget

      November 21, 2015, 10:47 pm
      SLR Magic have been making waves in the budget cine lens realm for some time now. The company is well known for their excellent wide angle fast primes for like the SLR Magic 12mm T1.6 Hypeprime and even wider 10mm T2.1 Cine Hyperprime for MFT mount cameras as well as their super-fast 25mm, 35mm and 50mm f0.95 Hyperprimes which come in a variety of mounts from Micr Four Thirds to Fuji-X and Sony E-mount for their APS-C range of cameras.

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    • Richard
      EDITING

      Camp Kuleshov's Inaugural International Grand Priz

      November 21, 2015, 10:44 pm
      Assistant editor David Rubin of Cutters in Chicago has been named the International Grand Prize winner in the Editing category of the 2015 Camp Kuleshov competition, AICE’s annual contest for assis

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    • Richard
      EDITING

      Shutterstock and PMC Media Sign Pact

      June 23, 2015, 6:24 pm
      Shutterstock, Inc. (NYSE: SSTK) and Penske Media Corporation (PMC) have agreed to form an alliance that will create and license entertainment and fashion images and videos to the world’s top media, publishing and creative companies

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    • Richard
      EDITING

      AJA Interview - AOTG@NAB 2015

      April 15, 2015, 12:51 pm
      New firmware for Cion - version 1.2 Expanded IRE levels In camera video gamma mode Increased ability to keep white balance even if overexposed at the high end #TryCion and more.

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    • Richard
      EDITING

      Avid Interview - AOTG@NAB 2015

      April 14, 2015, 4:56 pm
      AOTG interviews AVID (Charlie Russell) at NAB 2015. Free version of Media Composer (Media Composer | First). New IO hardware for high resolution (UHD & 4K). New shared storage (ISIS 1000) - 24 users; 20 to 80 TB of space and works with Media Composer as well as Final Cut Pro and Adobe Premiere.

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    • Richard
      EDITING

      Adobe Interview - AOTG@NAB 2015

      April 14, 2015, 3:05 pm
      Discussing Adobe Premiere Pro updates and more at NAB 2015. Bring more creativity into your video productions with re-invented color workflows for editors, including the Lumetri Color panel and an ingenious new mobile technology that captures Looks for video, an interactive desktop animation tool unlike anything you've seen before. Adobe has also improved previews in After Effects, easier asset sharing with Creative Cloud Libraries and some amazing new "Adobe magic", like Morph Cut...

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    • Richard
      EDITING

      Interview Ted Schilowitz (Silverdraft) @ NAB 2015

      April 14, 2015, 2:11 pm
      Silverdraft's Devil & Demon Strategy is more than just a slate of hardware. Instead, it’s a plan to help small, medium and even large entertainment facilities process data in new and astounding ways, while still spending each dollar wisely.

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    • Richard
      EDITING

      Blackmagic Press Release - NAB 2015

      April 13, 2015, 4:47 pm
      This year Blackmagic are introducing an amazing new 4.6K image sensor with 15 stops of dynamic range for URSA cameras, three whole new cameras, a massive update to DaVinci Resolve, and a whole range of 12G-SDI products for broadcast, post production and live production.

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