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May 16, 2010, 4:31 pm
Andrew Weisblum was the perfect choice when director Darren Aronofsky needed a "hungry editor" for his reality-based film The Wrestler. After 13 years of assisting, primarily in New York, Weisblum had only edited a handful of features (including The Darjeeling Unlimited and Broken English). The pair had met when Weisblum was visual effects editor on Aronofsky’s last film, The Fountain.
April 8, 2010, 5:51 pm
Don’t miss the exciting Adobe CS5 launch event on Monday morning 8AM PST. Viewers will be among the first to hear from Adobe executives about how CS5 can help companies and creative professionals build profitable businesses around digital content. Famed Adobe Evangelists—Terry White, Jason Levine, Greg Rewis, and Julieanne Kost—will demonstrate their favorite CS5 features for design, video, Web and photography. You can also get in on the conversation on Twitter #cs5 conversation.
April 8, 2010, 5:50 pm
In this episode, we’ll severely change the white balance of an image to correct an underexposed, wrongly balanced clip and make it look decent. We’ll use the curves in Avid’s Color Correction to do it.
April 8, 2010, 5:49 pm
Over 20 years ago Avid began with a shift away from linear purpose-built hardware by harnessing the power of non-linear software, running (eventually, as they increased in power) on commodity workstations. Today, the network--extending beyond the local network to the internet--is the platform ready to be harnessed.
April 8, 2010, 5:48 pm
Cutting 3D is a boon to editors because they get to participate more in the creating of the whole picture - its look, characters, their lines and the story - over a longer period, beginning with storyboarding in pre-production.
April 8, 2010, 5:47 pm
A recent email blast for a new Sony camcorder loudly proclaims: "A new year. A new format." It sometimes feels that way, doesn't it? For prosumer video camera codecs, the current "belle of the ball" is AVCHD (Advanced Video Codec High Definition) in all its many flavors.
April 7, 2010, 5:46 pm
Boston, MA – April 7, 2010 - EditShare, the technology leader in cross-platform collaborative editing and shared media storage systems, is pleased to announce the availability of Version 6.0 of its Storage Series and XStream shared storage solutions. Part of EditShare's Complete Collaboration product line, the award-winning shared storage solutions are renowned for their true project and media sharing for Final Cut Pro and Avid editors.
April 7, 2010, 5:45 pm
It is such an exciting time to be working in post. Even though it's getting harder and harder to say "post" in isolation. So many of my fellow artist-geeks are combining their loves into one big super-colossal package of art::tech symbiosis!
April 7, 2010, 5:44 pm
Like everyone else, I’ve viewed more 3D movies in the past few months than I’ve seen in years. Afterwards I’ve wondered two things: 1) Is 3D a money-making fad or here to stay? 2) How exactly is 3D edited?
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part seri ...
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