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  • I'm Back!

    I'm Back!

    May 17, 2010, 4:32 pm
    I’ve been a bit busy lately, both personally and professionally, which has resulted in a bit of time between posts. Personally, I moved (from Woodland Hills, in the San Fernando Valley, to Playa Vista, near Marina Del Rey) about 3 weeks ago. This represents a kind of homecoming for me, only a year after coming home from a few years in Florida, as I lived in the Marina on and off for almost 10 years.

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  • Other Postings By Member

    • AOTG
      SOUND

      Pro Tools Basics - NUDGE

      December 25, 2017, 7:48 am
      In this tutorial, aimed at both Pro Tools and Pro Tools First users, we will have a closer look at the Nudge feature in Pro Tools. It is as simple as pressing the plus or minus key to move a clip to the right or left. However, it has a ton of variations and hidden features worth exploring and waiting for you to incorporate it into your workflow.

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    • AOTG
      EDITING

      Jerry Greenberg Dies: ‘The French Connection’

      December 24, 2017, 8:10 am
      The film editor behind one of the most famous car chases in movie history has died. Jerry Greenberg, whose work on The French Connection won him an Academy Award for film editing, died Friday after a long illness. He was 81.

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    • Branagh and Doyle on Composing for Midnight on OE
      SOUND

      Branagh and Doyle on Composing for Midnight on OE

      December 22, 2017, 3:24 pm
      Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never Forget from the film Murder on the Orient Express. You can listen to the song below.

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    • AOTG
      SOUND

      ‘Lady Bird’ Composer Jon Brion On Pic’s Bitt

      December 22, 2017, 3:18 pm
      Approaching renowned composer Jon Brion for Lady Bird, her directorial debut, Greta Gerwig didn’t get into the specifics of his many memorable scores, or which of his works was particularly compelling to her. For Brion, this was a breath of fresh air.

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    • Virginia Katz on Editing Beauty and the Beast
      EDITING

      Virginia Katz on Editing Beauty and the Beast

      December 22, 2017, 9:20 am
      Gordon Burkell and Virginia Katz sit down to talk about VFX, Editing, and Beauty and the Beast.

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    • AOTG
      VFX

      WONDER WOMAN: VFX Breakdown by UPP

      December 22, 2017, 6:56 am
      Another really cool VFX Breakdown by UPP, this time it’s about their work on WONDER WOMAN...

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    • AOTG
      VFX

      Blade Runner 2049 VFX Breakdown by UPP

      December 22, 2017, 6:56 am
      Universal Production Partners Here is the VFX breakdown about our work on Blade Runner 2049 by UPP.

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    • 'Jumanji: Welcome to the Jungle': More Than Just C
      VFX

      'Jumanji: Welcome to the Jungle': More Than Just C

      December 22, 2017, 6:56 am
      More than 20 years ago, Joe Johnston’s Jumanji delivered audiences a fun adventure story full of jungle animals, including those created with cg technologies that were still in their relative infancy.

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    • AOTG
      VFX

      2017 VFX Year In Review

      December 22, 2017, 6:56 am
      2017 was not all that much of an eventful year for software, unless you’re talking about 360° VR software. Here’s a look back at some major releases and trends in our microcosm.

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    • ART OF THE CUT on editing Mindhunter with Kirk Bax
      EDITING

      ART OF THE CUT on editing Mindhunter with Kirk Bax

      December 22, 2017, 6:56 am
      Mindhunter is one of those binge-able shows that has people talking. I spent a few days last summer at the Fincher production facility in LA where the show is cut and met one of the show’s editors, Tyler Nelson. One of the other editors on the series is Oscar-winner, Kirk Baxter, ACE, whom I interviewed previously for his work on Gone Girl. Both Gone Girl and Mindhunter were edited in Premiere Pro. (I was not able to talk to the third editor on the series, Byron Smith, who also cut the Netflix series, Altered Carbon.)

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