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  • Adobe MAX 2012 Conference...

    Adobe MAX 2012 Conference...

    May 26, 2012, 2:52 pm
    The big annual MAX conference for all-things-Adobe is traditionally held each fall. The company has just revealed the major story of the MAX 2012 show – and to our surprise it's… see you next year!

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  • Other Postings By Member

    • AE News 2018
      EDITING

      AE News 2018

      December 31, 2018, 6:22 am
      Recently in the world of After Effects, there’s news on Adobes updates, ProRes, Google Earth Studio, The Year in Review, animation, classes, and more. There’s lots more happening though! It’s still hard to know if this approach to news is still useful, but here it is.

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    • The Best of ProVideo Coalition: 2018
      EDITING

      The Best of ProVideo Coalition: 2018

      December 31, 2018, 6:22 am
      Important updates to existing software, new cameras and popular products reaching their end of life were just some of the things that made 2018 a notable year for creative professionals. PVC featured countless news items, insights and updates that helped production and post professionals at every level make sense of how to move forward, but with so much happening all the time, it’s easy to miss something important.

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    • AOTG
      VFX

      Render Realistic Transparent Surfaces

      December 30, 2018, 7:34 am
      Creating a transparent material such as glass seems easy – just increase the transparency slider to 100 and the job is done. So why doesn't the glass look right?

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    • AOTG
      EDITING

      The Coen Brothers' Art of The Minor Character

      December 30, 2018, 7:34 am
      The Ballad of Buster Scruggs has cemented Joel and Ethan Coen as perhaps the most adept creators of minor characters in film. This video is a tour of the many minor characters that have populated their movies, and explores how they create such memorable characters with very little screen time.

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    • Plummy Tucker, ACE on editing Destroyer
      EDITING

      Plummy Tucker, ACE on editing Destroyer

      December 29, 2018, 8:10 pm
      Plummy Tucker, ACE, has edited films including Girl Fight, Aeon Flux, Jennifer’s Body, and The Invitation. She was nominated for two Emmy’s in 2011 for Client 9: The Rise and Fall of Eliot Spitzer and Too Big to Fail.

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    • Editors of 'Black Panther' Explain Marvel's Labor
      EDITING

      Editors of 'Black Panther' Explain Marvel's Labor

      December 29, 2018, 7:27 am
      Touted as a well-deserved repeated fave here on Film School Rejects, Black Panther did not just experience some flash-in-the-pan success as yet another installment in the ever-growing Marvel Cinematic Universe. Rather, the legacy of this origin story will continue to inform our expectations of all the films to come, even as it moves forward toward higher stakes of inevitable doom and welcome rebirth.

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    • AOTG
      EDITING

      Elevate your iMac monitor with the new Type-C Hub

      December 28, 2018, 1:10 pm
      Elevate your iMac monitor for a optimal viewing level and a more comfortable working environment and at the same time get all the ports you need right in front of you, with the new product from Satechi.

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    • AOTG
      COLOR

      The new Colorful SL500 2TB SSD

      December 28, 2018, 10:47 am
      Samsung introduced the 860 QVO SSD last November, with the 2TB version costing nearly $300. Now Colorful announces the SL500 2TB SSD, and the final price may be $180-200.

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    • AOTG
      VFX

      ILM on Creating Lando's Falcon

      December 28, 2018, 10:47 am
      The team of Industrial Light & Magic talk about the creation of the Millenium Falcon for SOLO – A STAR WARS STORY...

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    • AOTG
      VFX

      Motion Capture for Mowgli

      December 28, 2018, 6:51 am
      over at Vanity Fair, Mowgli: Legend of the Jungle director and motion capture star Andy Serkis provides an extensive breakdown of a scene involving Christian Bale’s performance as Bagheera the panther. Serkis talks about the intentionally unrealistic design of the animals, especially when it comes to their faces, and how motion capture made it possible.

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