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May 20, 2010, 4:46 pm
Ever set up your project to work in 16 or 32-bit float, and you then apply an effect, only to get into the effects window to find that the effect only supports 8-bit? Annoying isn’t it? Wouldn’t you love to know what bit depth the effect supports before you drop it onto your clip? Well, now you can!
January 13, 2009, 6:19 am
Three more suggestions have been made for the greatest films ever edited! They include: The sweet Hereafter cut by Susan Shipton, O Bandido da Luz Vermelha cut by Silvio Renoldi and Battle of Algiers cut by Mario Morra and Mario Serandrei. Keep those suggestions comming!
January 12, 2009, 6:18 am
In order to use RED media in Adobe applications, the first thing you’ll need to do is get the latest updates for Premiere Pro and After Effects. The steps in this guide require that you have Premiere Pro 4.0.1 or later and After Effects 9.0.1 or later. The easiest way to update your CS4 applications is to choose Updates... from the Help menu in Premiere Pro or After Effects.
January 12, 2009, 6:15 am
Blackmagic Design has announced the first low cost 10 bit SD/HD switchable editing card with SDI, Component, s-video and composite!!!! The article came from videography who has placed the announcement up on their site.
January 6, 2009, 6:13 am
Matrox Graphics Inc. today announced the availability of PowerDesk for Mac, a new desktop management software for Graphics eXpansion Modules (GXMs) used with Apple Mac systems. PowerDesk for Mac improves how—and where—windows are arranged, making it easier to use multiple applications on a Matrox DualHead2Go or TripleHead2Go multi-monitor set up.
January 3, 2009, 6:10 am
On October 30 at the Burbank Marriott Hotel, the Fall edition of HD Expo played host to an ACE-sponsored panel, titled "See What’s Coming—Meet the Editors of the Hottest Upcoming Releases." Moderated by industry journalist Carolyn Giardina, the panel gathered four editors—Myron Kerstein (Nick and Nora’s Infinite Playlist); Nancy Richardson, A.C.E. (Twilight); Terilyn Shropshire, A.C.E. (The Secret Life of Bees); and Academy Award winner Paul Hirsch, A.C.E. (Love Ranch)—who provided some...
December 29, 2008, 8:34 pm
Thanks to his role in Darren Aronofsky’s The Wrestler, Mickey Rourke’s trophy room will soon need a renovation. The awards that he’s been nominated for, or already won, are piling up, but the man who deserves maybe the most thanks is a name very few are familiar with: Andrew Weisblum. The man employed as the movie’s editor, a role that is always the sorely under-appreciated architect of strong plots and performances, had an indispensable role in constructing Rourke’s performance from...
December 29, 2008, 8:32 pm
Editor Elliot Graham (21, Superman Returns) used a combination of Avid desktop and laptop editing solutions to handle the project in HD - whether on set during production in San Francisco, near the director’s home in Portland, Ore., or for finishing work in Los Angeles.
December 29, 2008, 8:30 pm
On the surface, Marley & Me (being released Christmas Day by Fox 2000 Pictures) is a wacky comedy about the world’s worst dog, but ultimately it’s a thoughtful journey through life. Based on the best-selling memoir by John Grogan, Marley & Me follows John (Owen Wilson), his wife Jenny (Jennifer Aniston) and their relationship with a rambunctious golden lab named Marley. In a story spanning 15 years, the film wrestles with such themes as marriage, children, career and mortality.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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