Welcome to AOTG.com

Sign up free

Be a part of a unique online community that connects post production professionals and film academics worldwide.

You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.

Member Login

Social Login!

Not a Member? Sign Up!

(minimum 3 characters)
I agree with the Terms of Use and Privacy Policy
To receive account info and prevent it landing in your spam folder, add info@aotg.com as an email contact.

  • AOTG

    ACE Eddie Awards Recap

    May 25, 2010, 4:52 pm
    A Visual Recap in the ACE Eddie Awards

    • Report
    • Share
    • Save

    Share this posting

  • Other Postings By Member

    • Comedy Editing Seminar
      EDITING

      Comedy Editing Seminar

      August 12, 2008, 1:56 pm
      Seminar four: Learn what some of the greats do to edit comedy films. NOTE: We have removed the films audio due to copy right reasons. (Edit Fest 2008)

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      Film Editor James Haygood on 30-Second Stories

      August 9, 2008, 2:54 pm
      James Haygood got his big break back in the mid-1980s, when he connected with a young music-video director named David Fincher. The happy collaboration led to A-list editorial credits for Haygood, including Madonna's "Vogue" and The Rolling Stones' "Love Is Strong," a number of TV commercials, and eventually feature-film work — The Game, Fight Club, and Panic Room. More recently, he worked as co-editor (with Spike Jonze regular Eric Zumbrunnen) on Where the Wild Things Are, and took up...

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      How the West Was One

      August 8, 2008, 2:56 pm
      They say everything comes in threes. On September 9, Warner Home Video releases three home entertainment packages—a high-definition Blu-ray and two standard-definition boxed sets––of the restored How the West Was Won, MGM’s 1962 all-star Western epic that was one of only two narrative features shot entirely in the original Cinerama three-panel widescreen process (The Wonderful World of the Brothers Grimm was the other). The film won three Academy Awards––Best Screenplay (James R. Webb)...

      • Report
      • Share
      • Save

      Share this posting

    • Getting Your Start in the Business
      EDITING

      Getting Your Start in the Business

      August 5, 2008, 1:43 pm
      Seminar One: Moderated by Randy Roberts A.C.E. with panelists, Tina Hirsch A.C.E., Maysie Hoy A.C.E., Bonnie Koehler A.C.E., Carol Littleton A.C.E., Stephen Lovejoy A.C.E., and Michael Tronick. This Panel discusses how each of the panelists got their break in film editing. (Edit Fest 2008)

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      Dan Lebental interview Part 3

      August 5, 2008, 9:42 am
      In this segment Dan gives us some great insights into the feature film editorial process. We discuss topics such as what it’s like screening the "first cut" with the director and starting out on the directors cut, bringing the length of IRON MAN down from 3.5 to it’s final running time of 2 hours, exploring variations of the film and reinventing scenes, and something he fondly refers to as "index card death row".

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      Dan Lebental Interview Part 1

      August 5, 2008, 9:37 am
      HDFILMTOOLS posted this link for the three part interview with DAN LEBENTAL editor of IRON MAN!

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      Interview with Dan Lebental Part 2

      August 3, 2008, 9:39 am
      Today we present Part II of my interview with Dan Lebental, film editor of Paramount Pictures and Marvel Entertainment’s, IRON MAN. In this segment Dan talks about his experience cutting on the Avid Media Composer, working with the visual effects team (upwards of 800 people) at ILM and the economics and intricacies of cutting a film with nearly 1000 visual effects shots. We go on to discuss the state of, and need for, industry accepted digital post production workflows. Finally, we talk...

      • Report
      • Share
      • Save

      Share this posting

    • Ryerson University - School of Image Arts
      EDITING

      Ryerson University - School of Image Arts

      August 1, 2008, 3:25 pm

      • Report
      • Share
      • Save

      Share this posting

    • Universidad Del Cine
      EDITING

      Universidad Del Cine

      August 1, 2008, 3:25 pm

      • Report
      • Share
      • Save

      Share this posting

    • APA International Film School
      EDITING

      APA International Film School

      August 1, 2008, 3:25 pm

      • Report
      • Share
      • Save

      Share this posting





    SUBMIT A LINK

    Newest From Aotg.com
    Stay Informed
    • Mail List

      E-Mail Newsletter

      Choose what Post News gets sent directly to your E-Mail, daily or weekly.

    • Apple iOS Mobile App

      AOTG App for iOS

      Get your post news on your favourite Apple device, when you want it where you want it.

    • Android Mobile App

      AOTG App for Android Devices

      Get your post news on your favourite Android device with the AOTG Android App.