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May 29, 2010, 5:14 pm
When Action 3D Productions hired an editor to cut the concert film Phish 3D, it made sense that they’d go to Don Wilson's Americana Media. Wilson is an Emmy-winning producer-director-editor whose experience in the industry stretches back to the early days of MTV, when he was cutting promo clips for any number of top-tier acts.
May 28, 2010, 5:13 pm
"This is not Media Composer," says Avid senior product designer Frank Capria. "I could be anywhere. All the media you’re going to see is in Tewksbury. You just clone it." The Avid system is so quick and looks so much like Media Composer that Capria has to explain to the audience that the video he’s editing is actually being edited thousands of miles away and streaming back.
May 27, 2010, 5:13 pm
It’s obvious when talking to Hamilton that he’s as passionate about technology as he is about storytelling. "I love the technology," he says. "My first love is editing a scene—after all, a film is written on the page and rewritten in the edits—but I also love working on intricate visual effects, or building a theatrical sound track."
May 27, 2010, 5:10 pm
Everybody knows the Timewarp only applies to video. But what if you want to change the speed of your audio as well? In this episode, we’ll do just that with the help of a couple of different AudioSuite plugins that come with Media Composer.
May 27, 2010, 5:09 pm
AppleInsider had an article on May 18, 2010 which was titled "Apple Scaling Final Cut Studio Apps to fit prosumers" which generated a ton of blogosphere panic. Even I was caught up in the rumor mongering here, reacting to a post I’d read on Twitter and then, after reading the AI piece, tweeting about it myself.
May 27, 2010, 5:08 pm
What this seems to suggest is that the hardware barrier is soon to fall. One of the most common criticisms of Avid’s systems in the last few years has been the cost of proprietary hardware, while Final Cut Pro and Premiere have been supporting a wide range of low-cost I/O hardware.
May 27, 2010, 5:08 pm
OK...this is something that "Avid Editors" brag about all the time. They can load a sequence into the Viewer, and then click a toggle that will then show them that sequence on the timeline. The PROGRAM (or Canvas for you FCP peeps) timeline is replaced by the PREVIEW (or Viewer) sequence...
May 26, 2010, 5:07 pm
Our popular Collaborations series is now heading to Melbourne with Underbelly - from Shoot to Screen. Hear from Editors Steve Evans and Deb Peart as well as Director Shawn Seet. A valuable insight into the post production process of creating one of Australia's biggest television programmes.
May 25, 2010, 4:56 pm
The 2010 EditFest NY, presented by American Cinema Editors (ACE) and the Manhattan Edit Workshop, will give editors and those interested in editing the chance to learn from some of the best editors currently in the business, including the editors of Avatar, Precious and the Pirates of the Caribbean series—all of whom will be on hand to talk about their process and interact with attendees. Festival organizer Josh Apter, of Manhattan Edit Workshop, answered some our questions about the highly-anti
Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own ad ...
Doug Abel sits down with Gordon to discuss editing Netflix's hit, Tiger King. They discuss getting through the mounds of ...
Paul Leonard-Morgan joins Gordon Burkell to discuss composing with Philip Glass for Amazon's Tales from the Loop.
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