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September 13, 2008, 3:05 pm
We’ve seen the remarkable ability of the RED ONE camera to draw crowds at conventions and to tease our imaginations with the promise of recording digital cinema quality 4K images (4096x2304) at half the price of high-end HD cameras. But amidst the buzz we haven’t seen much proof of its production on the big screen—until now. Digital cinema projects shot with the RED ONE are finally making their way through postproduction, answering whether digital systems can wrestle with these massive files.
September 12, 2008, 3:04 pm
Apparently, the truth is still out there. And Fringe, the new one-hour drama from Bad Robot Productions’ J.J. Abrams, Roberto Orci and Alex Kurtzman (Alias, Mission Impossible III, Star Trek) that premieres in September, is determined to find it. Or at least to garner good ratings trying.
September 10, 2008, 3:02 pm
We've updated the suspense editing section with the help of Jeff from Borgus Productions. Sections, that focus on editing or could be helpful to editors, have been added from his article How to turn your boring movie into a Hitchcock thriller...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
Tom Ohanian is legendary; he helped create Avid and make it the industry standard in post-production and now, he has released ...
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
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