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May 25, 2010, 4:54 pm
For nine weeks, Chris Innis was embedded with director Kathryn Bigelow and the crew on the Jordanian locations of The Hurt Locker. "Just from the standpoint of shooting on location in the Middle East, this was a very difficult film to do," she says. "It was very trying for everybody." Innis was in Jordan because Murawski, originally hired by Bigelow, was exhausted from three years working on Sam Raimi’s Spider-Man series, and could not make the overseas commitment.
February 27, 2017, 10:36 am
I mentioned in my previous Final Cut Pro Diary piece that I attended one of Apple’s free workshops, Final Cut Pro for Storytellers. There was a lot to take in, and as a complete beginner at the time, I knew I’d only really remember some percentage of it.
February 27, 2017, 7:11 am
The 2017 Oscar results are in, and a huge congrats to all the winners and nominees! Here are the inside-stories behind the sound for this year’s winners of the Oscars for Best Sound Editing and Best Sound Mixing...
February 27, 2017, 7:10 am
Kevin O’Connell is not the best-known name at the 89th Academy Awards, but going into the 2017 ceremony, he held a unique – and presumably unwanted – record: the most nominations without a win, 20 in all.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
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