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June 5, 2012, 12:23 pm
Burbank post-production facility FILMLOOK Media and Post recently installed a Baselight color grading system from FilmLight. This new system includes FilmLight's Blackboard 2 control panel. This allows FILMLOOK, for the first time, to provide its television clients -- such as Disney Channel, Fox, CBS, ESPN and HBO -- with color grading services in a file-based...
July 1, 2017, 5:16 am
Avid, a media technology provider for the creation, distribution and monetization of media assets for media organizations and individual creative professionals, has announced the findings of the inaugural Avid Customer Association (ACA) Vote. The ACA Vote gave Avid’s preeminent customer community the unique opportunity to directly influence Avid’s future offerings. The findings on emerging technology and new […] The post Avid Customer Association Vote Influences Avid’s Future Inno...
June 28, 2017, 5:19 am
Picture Shop has announced that they are excited to welcome colorist Paul Allia. He will be joining the company’s growing arsenal of award winning talent. Some of his notable projects include Crazy Ex-Girlfriend, Criminal Minds: Beyond Borders, and Minority Report. “Paul has been on my radar for a while now, over the years he’s grown […] The post Colorist Paul Allia Joins Picture Shop appeared first on Below the Line.
June 21, 2017, 5:32 pm
Crossover episode 207 of CW‘s Legends of Tomorrow, aptly named “Invasion!,” pits the legends (with some help from The Flash, Green Arrow and Supergirl) against aliens out to annihilate Earth. Check out how the aliens were made by Encore FX. The post Video of the Day: Legends of Tomorrow VFX Breakdown appeared first on Below the Line.
June 19, 2017, 5:59 am
Stranger Things’ award winning music supervisor, Nora Felder, took the time to field some questions from Below the Line. Q: Just for some background, please tell us how you got involved with Dead Presidents and Tank Girl. A: This was at the very start of my career when getting my feet wet in the […] The post Q&A with Nora Felder, Music Supervisor for Stranger Thing appeared first on Below the Line.
June 15, 2017, 4:31 pm
SGO today announced the availability of its VR focused program, Mistika VR. Available immediately, the software has been developed using award-winning Mistika technology and offers users real-time stitching capabilities combined with an intuitive interface and raw format support. Using Mistika Optical Flow Technology, the new VR program takes camera position information and sequences, then stitches […] The post SGO Announces Availability of its Mistika VR to Enable Advanced Real-Time ...
June 13, 2017, 5:56 am
Creative content company Alkemy X has made several key hires in its award-winning VFX division: VFX supervisor Steve Sanchez, VFX supervisor Gabriel Regentin, senior VFX producer Caitlyn Tomasik, VFX pipeline manager/R&D lead Luiz Garrido, compositor Alejandro Monzon, and VFX production coordinator Mitch Campbell. The new posts are based in the company’s New York office. “Demand […] The post Alkemy X Expands VFX Team With Multiple New Hires appeared first on Below the Line.
June 5, 2017, 4:54 pm
The FuseFX Los Angeles crew has announced that they have recently provided visual effects services for two projects by Oscar-winning writer/producer/director John Ridley— the anthology series American Crime and the feature-length documentary Let It Fall, which aired April 28. The studio served as the sole visual effects provider for the third season of American Crime, […] The post FuseFX Provides VFX for John Ridley’s American Crime and Let It Fall appeared first on Below the Line.
June 5, 2017, 4:53 pm
Bi-coastal editorial company, Arcade has announced the addition of creative editor Graham Chisholm to their team. Chisholm brings a wealth of experience to Arcade and a unique perspective on the art of storytelling. “I’m stoked to have Graham join our family,” said Arcade’s managing partner Damian Stevens. “Graham’s ability to tell stories that draw in […] The post Bi-coastal Arcade Signs New Editor Graham Chisholm appeared first on Below the Line.
June 3, 2017, 5:52 am
In a film with 2360 total shots, and, out of those, 2301 shots which include visual effects, the project’s visual effects supervisor had one summary comment: “It’s fun.” For Guardians of the Galaxy Vol. 2, visual effects supervisor Chris Townsend, with the daunting task of an unprecedented percentage of his film including visual effects, he […] The post Chris Townsend, Visual Effects Supervisor Guardians of the Galaxy Vol. 2 appeared first on Below the Line.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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