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  • FILMLOOK Adds Color Grading via FilmLight

    FILMLOOK Adds Color Grading via FilmLight

    June 5, 2012, 12:23 pm
    Burbank post-production facility FILMLOOK Media and Post recently installed a Baselight color grading system from FilmLight. This new system includes FilmLight's Blackboard 2 control panel. This allows FILMLOOK, for the first time, to provide its television clients -- such as Disney Channel, Fox, CBS, ESPN and HBO -- with color grading services in a file-based...

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  • Other Postings By Member

    • Contender: Visual Effects Supervisor Dennis Berard
      VFX

      Contender: Visual Effects Supervisor Dennis Berard

      January 6, 2018, 1:24 pm
                In a dream-like state, the viewer floats through a blue underwater apartment filled with furniture and photographs, settling on the waking face of Eliza (Sally Hawkins). This magical setting opens director Guillermo del Toro’s The Shape of Water. The VFX team, lead by visual effects supervisor Dennis Berardi, helped create […] The post Contender: Visual Effects Supervisor Dennis Berardi The Shape of Water appeared first on Below the Line.

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    • Contender: Visual Effects Supervisor Erik de Boer
      EDITING

      Contender: Visual Effects Supervisor Erik de Boer

      January 6, 2018, 1:24 pm
      Exploring the bond between human and animals, director Bong Joon Ho (Snowpiercer, The Host) tells the story a young farm girl who must save the super-pig she has raised her whole life from exploitation. The director tapped visual effects supervisor, Erik de Boer, to bring the fully digital character of Okja, the pig, to life. […] The post Contender: Visual Effects Supervisor Erik de Boer – Okja appeared first on Below the Line.

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    • Contender: Editor Valerio Bonelli – Darkest Hour
      EDITING

      Contender: Editor Valerio Bonelli – Darkest Hour

      January 5, 2018, 3:29 pm
      Editor Valerio Bonelli read the script for Darkest Hour in early 2016 when he was doing another project with director Joe Wright. “At first I thought, ‘Why is Joe making a film about Churchill? There have been so many stories about Churchill,’” shared Bonelli. “Then I read the script and realized it wasn’t really just about […] The post Contender: Editor Valerio Bonelli – Darkest Hour appeared first on Below the Line.

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    • Contender: Editor Nick Houy – Lady Bird
      EDITING

      Contender: Editor Nick Houy – Lady Bird

      January 4, 2018, 8:43 am
      Lady Bird editor Nick Houy has worked with many first time feature directors, but writer-director Greta Gerwig “was not the typical first-time director experience.” Because she has co-directed, written a number of successful films, and acted in even more, Gerwig proved to be very comfortable behind the camera. Houy felt the details in the script not only […] The post Contender: Editor Nick Houy – Lady Bird appeared first on Below the Line.

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    • ACE Eddie Award Nominations  2018
      EDITING

      ACE Eddie Award Nominations 2018

      January 4, 2018, 8:43 am
      Nominations BEST EDITED FEATURE FILM (DRAMATIC): Blade Runner 2049 Joe Walker, ACE ` Dunkirk Lee Smith, ACE ` Molly’s Game Alan Baumgarten, ACE, Josh Schaeffer & Elliot Graham, ACE ` The Post Michael Kahn, ACE & Sarah Broshar ` The Shape of Water Sidney Wolinsky, ACE ` BEST EDITED FEATURE FILM (COMEDY): Baby Driver Jonathan […] The post ACE Eddie Award Nominations 2018 appeared first on Below the Line.

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    • Contenders: Editors William Goldenberg and Harry Y
      EDITING

      Contenders: Editors William Goldenberg and Harry Y

      January 2, 2018, 8:44 am
        Kathryn Bigelow’s brutally visceral drama, Detroit, set amid the chaos of 1967 Detroit race riots, depicts the terrifying true event in which a group of rogue police officers murder three black men and viciously beat another nine people. The project came to Bigelow around the time of the Ferguson unrest and became a way […] The post Contenders: Editors William Goldenberg and Harry Yoon – Detroit appeared first on Below the Line.

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    • Contender: Editor John Gilroy, Roman J. Israel, Es
      EDITING

      Contender: Editor John Gilroy, Roman J. Israel, Es

      December 28, 2017, 7:29 am
      In Dan Gilroy’s dramatic thriller, Roman J. Israel, Esq., a civil rights-minded defense attorney (Denzel Washington), recruited by a wealthy cutthroat lawyer (Colin Farrell), fights to keep his ideals as he fights for justice in the Los Angeles criminal court system. Because Roman was not the typical “square-jawed” leading man, during pre-production, Washington and the […] The post Contender: Editor John Gilroy, Roman J. Israel, Esq. appeared first on Below the Line.

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    • Joe Wright To Receive Cinema Audio Society Filmmak
      SOUND

      Joe Wright To Receive Cinema Audio Society Filmmak

      December 27, 2017, 8:28 am
      LOS ANGELES, 21 December 2017 — Darkest Hour director Joe Wright will receive the Cinema Audio Society Filmmaker Award at the 54th Annual CAS Awards on February 24th, at the Omni Los Angeles Hotel at California Plaza in downtown Los Angeles. “I am delighted to announce Joe Wright as the CAS Filmmaker Honoree for our […] The post Joe Wright To Receive Cinema Audio Society Filmmaker Award appeared first on Below the Line.

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    • 10 Contenders Remain In VFX OSCAR® RACE
      VFX

      10 Contenders Remain In VFX OSCAR® RACE

      December 22, 2017, 10:56 am
        LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences announced that 10 films remain in the running in the Visual Effects category for the 90th Academy Awards®. The films are listed in alphabetical order: Alien: Covenant Blade Runner 2049 Dunkirk Guardians of the Galaxy Vol. 2 Kong: Skull Island Okja The […] The post 10 Contenders Remain In VFX OSCAR® RACE appeared first on Below the Line.

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    • Contender: Sound Designer/Re-recording Mixer, Paul
      SOUND

      Contender: Sound Designer/Re-recording Mixer, Paul

      December 19, 2017, 12:14 pm
      For Kathryn Bigelow’s disturbing true drama, Detroit, sound designer/re-recording mixer, Paul Ottosson had to sonically re-create the chaos of the 1967 Detroit race riots, both on and off camera. The sound not only had to support the action on screen, it had to build the world of the story that was happening in the distance. […] The post Contender: Sound Designer/Re-recording Mixer, Paul Ottosson – Detroit appeared first on Below the Line.

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