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June 7, 2012, 3:48 pm
We were recently interviewed by SpliceVine about how ScreenLight got started, the problems we are solving, and what makes us special. The interview also touches on our approach to marketing at NAB, how we go about prioritizing features, and some of the other cloud services that we think are useful for editors and production companies. It's an interesting read if I do say so myself :).
January 28, 2013, 9:02 am
Over the weekend I finally caught up on some of my reading. I know that it's too early in the year to feel like I'm behind, but I digress... A couple of posts stood out for their perspectives on post-production and editing trends in 2013.
January 27, 2013, 9:44 am
One question that I've seen crop up repeatedly is, where are all the PCs and devices with Thunderbolt ports? Even with Apple's strong promotional support of the technology, there have been fewer devices than people anticipated, and they have taken longer to materialize than many of us would have liked.
January 11, 2013, 3:43 pm
When I finished college and started working full-time, I was struck by the amount of free time I suddenly had on my hands. My last semester of school, I didn't have a single day off from work or class (and often class days were much longer than work) until my last final exam was completed. To go from that kind of schedule to a measly 40 hours a week was a stark difference.
January 11, 2013, 3:42 pm
My first media job was as an intern doing equipment management for production and post. All I wanted to do at the time was edit and animate, but instead I learned about systems and workflows. Looking back, it was a great foundation, and the things I learned have always been useful. Several years later, I now find myself bouncing back and forth between editor and manager.
December 30, 2012, 10:28 am
I was a FCP Editor/Trainer for 10 years. Since FCP X replaced FCP 7 I have been transitioning to an Adobe workflow. Like myself, a lot of former FCP editors are trying out Adobe's Production Premium (equivalent to FCP Studio) or the new Creative Cloud subscription model. In this article I'll look at using Adobe Prelude from a former FCP user's perspective.
December 19, 2012, 7:58 am
Chip Dizárd of Web Video Chefs recently reviewed our video collaboration service. Highlights for Chip included our clean design, custom branding, mobile friendly video playback, different ways of sharing, and the ability to deliver source videos to clients. Chip found that ScreenLight was an excellent fit for his wedding video business, his corporate video business, and his church and ministry business.
December 14, 2012, 1:27 pm
There is nothing that changes how you approach editing like being asked to work on a really long project that requires great attention to detail.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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