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June 15, 2012, 8:21 am
So here is the scenario. After a long week editing, you are having a well deserved drink at your local and you get a call from a producer who can't work FCPX. How do you guide them through the buttons and menus from memory? Don't worry, you have the Navigator app on your iPhone.
February 18, 2010, 9:16 am
Let’s be honest here .... there’s no shortage of one click film-look style emulation plug-ins available for Final Cut Pro. The biggies Magic Bullet Looks and Nattress Film Effects come to mind. Now we can add another one to the list: FxAndy.
February 17, 2010, 9:15 am
A client will one day call you late into a quiet evening saying they can't play the QuickTime files you've sent them. Since they need them in HD and regular DVD's can't (technically unless you mix HD-DVD with some prestidigitation) do HD content you need to send them something they can use...NOW! THE PRESENTATION IS IN 10 HOURS ZOMG!!!1!!1!
February 17, 2010, 9:14 am
The Hollywood Post Alliance Tech Retreat is a gathering of postproduction, broadcast, TV, and cinema folks in Palm Springs every February. This year, 3D is a big topic, and Tuesday’s Super Session was "3D in the Home", chaired by Jerry Pierce and Peter Fannon.
February 17, 2010, 9:13 am
Well, it turns out that I didn’t do an Avid online of an FCP offline, it was an FCP online of an FCP online, converted to Avid for final delivery. Well, I DID do one...I used Automatic Duck to convert the FCP sequence to an Avid sequence and then I recaptured. But went it came time to color correct,
February 17, 2010, 9:12 am
Pegasus had been in development for years. The concept at its inception was brilliant; super-computer hardware (we had a team of engineers designing custom silicon - we even named the chips after the engineers) coupled with elegant software. It was a game changer, a category creator. And that, perhaps, was one of the first signs of trouble.
February 16, 2010, 9:07 am
The ACE has announced the 10th Annual Invisible Art Visible Artist Event. It will take place from 10AM to 12 Noon Saturday, March 6, 2010 at the Hollywood Egyptian Theatre, Free of Charge / First Come First Seated.
February 16, 2010, 9:06 am
From a tech-centric point of view, the highlight of the evening was ACE’s first-ever Technical Excellence Award, which went to the Media Composer. Avid CEO Gary Greenfield was there to receive it, and many Avid folk were on hand to share in the festivities.
February 16, 2010, 9:05 am
The 60th annual ACE Eddie Awards, at the Beverly Hilton Hotel yesterday evening, honored the best of 2009 film and TV work as well Career Achievement Awards to veteran editors Paul LaMastra, ACE and Neil Travis, ACE and the ACE Godlen Eddie Filmmaker of the Year Award to Rob Reiner. With laughter and tears, a great script and pacing, a comedic host and long list of stellar presenters, the evening also underscored the fact that editors–as embodied in ACE–know how to keep an audience rapt and...
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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