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June 20, 2012, 11:06 am
Rosie, Jane and Phil talk about the challenges editing The Triangle Wars, shot over four years and edited from over 400 hours of footage. The editors talk about the challenges faced in trying to find the story hidden in such a vast amount of fooatge.
January 29, 2019, 6:01 am
In episode 3 of Art of the Cut’s “Voices from Sundance” series of podcasts, I spoke with Carla Guttierrez who edited the CNN Films documentary, “RBG” which was recently nominated for the Oscar for Best Documentary Feature, and Carla was nominated for this year’s ACE Eddies for Best Documentary Editing. She has been editing documentaries since 2005, including P.O.V and Independent Lens productions, Iraq For Sale, Chevela, and many others. “RBG” was edited in Adobe Premiere Pro.
January 28, 2019, 1:05 pm
In today’s world of digital media, dealing with multiple codecs, frame sizes, even frame rates is a sad fact of life. While our editing software can handle all these options, it is often far better to standardize your media into a single format prior to editing. Edit Ready is a utility designed exactly for this purpose.
January 28, 2019, 7:11 am
Recently I had a back-and-forth with someone on Facebook who was handed a couple hundred gigabytes of camera-cards backed up to one or more hard drives. He wanted to use Final Cut Pro X to log and keyword the footage.
January 27, 2019, 5:32 pm
The question never fails to pop up in the weeks before the Oscars, perhaps the most high-profile event at which the craftspeople are honored. So to put the matter to rest, we chatted earlier this month with the teams behind a few films that received nominations in the sound categories: “A Quiet Place,” recognized for editing; “A Star Is Born,” recognized for mixing; and “First Man,” recognized for both.
January 27, 2019, 5:32 pm
One of the most anticipated films at the 2019 Sundance Film Festival (according to Indiewire and MTV, among others), Honey Boy is a semi-autobiographical story penned by actor Shia LaBeouf that spans a decade in the life of a child actor. It’s also the first feature film cut by editor Mónica Salazar, a Mexican immigrant whose story starts with a VCR in Monterrey and a dream to one day land at Pixar.
January 27, 2019, 5:31 pm
From the show floor at NAMM 2019 Greg from Avid in one of their live videos from the NAMM Show floor has confirmed that the new version of Pro Tools 2019 will be compatible with macOS Mojave 10.14.x.
January 27, 2019, 8:25 am
Goro is a friend of mine and he’s an amazing artist! I’m sure you’ve heard of him. One of the things that I find inspiring about Goro is that he does his art every single day. The first time we met, he was doing a talk on a daily ritual of speed painting. I wanted to pick up a pen and start drawing myself. The more I got to know Goro, the more inspiring he’s become. He has so much insight about his art and Virtual Reality.
January 26, 2019, 10:24 am
If you were asked to name Steven Spielberg‘s tensest sequence, what would it be? Saving Private Ryan‘s barnstorming opening? Raptors stalking Lex and Tim through the kitchen in Jurassic Park? Or Jaws‘ thrilling climax? All, of course, are astounding works, but one that isn’t mentioned nearly enough is the masterful basement sequence that occurs towards the end of War of the Worlds.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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