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June 8, 2009, 7:02 pm
A Great New BLOG that looks at the technique of film editing. It has some great ideas behind the writing including "Cut of the Month" and snapshot of the cutting room.
February 4, 2021, 2:06 pm
When The Mandalorian animation supervisor Hal Hickel first saw concept art by Lucasfilm design supervisor Doug Chiang and his team for the Krayt dragon—to be featured on Tatooine in the first episode of season 2—the art showed the whole creature above ground.
February 4, 2021, 2:06 pm
Mank, David Fincher’s eleventh film, chronicles Herman Mankiewicz (portrayed by Gary Oldman) during the writing of the film classic, Citizen Kane. Mankiewicz, known as Mank, was a witty New York journalist and playwright who moved to Los Angles in the 1930s to become a screenwriter. He wrote or co-wrote about 40 films, often uncredited, including the first draft of The Wizard of Oz. Together with Orson Welles, he won an Academy Award for the screenplay of Citizen Kane. It’s long been disputed whether or not he, rather than Welles, actually did the bulk of the work on the screenplay.
February 4, 2021, 2:06 pm
While the “Mank” visual effects team meticulously recreated ’30s-era LA in black-and-white (utilizing the matte paintings of Artemple, Territory’s LED rear screen projection, and Savage’s sky replacement with the Unreal engine), David Fincher took a special interest in directing the photo-real CG animals from Industrial Light & Magic that inhabit the Hearst Castle private zoo.
February 3, 2021, 1:32 pm
Shotgun, ftrack Studio, the ILM HairCraft Dynamics System, and Walt Disney Animation Studios Hair Simulation System among the achievements being awarded at upcoming February 13 virtual ceremony.
February 3, 2021, 1:31 pm
The developers of Pixar’s Taz hair simulation system, used to create Meridia’s digital curls on 2012’s Brave, have won Sci-Tech Academy Awards, along with those for Disney, ILM and Weta Digital’s in-house hair tools.
February 3, 2021, 1:31 pm
Even though the title is in English, this remarkable exhibition took place in Frankfurt/Germany. And it's not over yet. After the current lockdown in Germany is lifted, visitors will be able to enjoy a visit to the DFF (German film museum and institute) for a few more weeks to view absolutely amazing original Disney art. With social distancing and masks of course.
February 2, 2021, 5:06 pm
Let’s have a tour on set with the cast and the crew of the Korean sci-fi blockbuster Space Sweepers showing great footage and VFX breakdown shots by Dexter Studios...
February 2, 2021, 5:05 pm
As the creative engine room of the world’s biggest brands we are driven by one purpose: to solve our client’s toughest briefs beautifully. Our Makers believe in the power of cooperation and partnership to deliver ambitious ideas to that break new ground and deliver awe-inspiring creative work.
February 2, 2021, 1:16 pm
Program includes sessions with director Glen Keane on the making of ‘Over the Moon;’ RISE’s Florian Gellinger and their first in-house productions, ‘Dragon Rider’ and ‘Stowaway;’ and MR. X’s creative team discussing the film adaption of ‘Monster Hunter’ video game; project submissions being accepted until February 22 for Animation Product Days.
February 2, 2021, 1:13 pm
LAIKA makes beautiful, handcrafted stop-motion animated films rife with personality and panache (if you need a refresher on their CV, check out this exclusive Thanksgiving short they made with all their characters).
Editor Sam Rice Edwards joins us from the UK to discuss his work on the Youtube documentary Life In A Day 2020.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
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