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June 25, 2012, 9:16 am
We are pleased to finally launch our redesign, which has been in production for the last six months. Working from initial UX designs by friend of the site Sabih Mir, the team at New Zealand-based design studio Cactuslab has done an outstanding job in all areas, producing a site better than anything we could have possibly imagined. Our sincere thanks go out to Matthew Buchanan, Karl von Randow, Mike Harding, Ryan Maxwell and the rest of the Cactuslab team.
March 11, 2010, 12:52 pm
Here's part 2 of my interview with Bobbie O'Steen. Bobbie is an Emmy nominated editor and author of The Invisible Cut and Cut to the Chase. In this part we begin to discuss her second book, The invisible Cut To see her next interview/event check out her website at www.bobbieosteen.com
March 11, 2010, 11:54 am
In this episode, we’ll deep-dive into one of the most powerful and most-used effects in Avid: The Timewarp. We’ll cover the basics in this episode and the next. This week: Render types, keyframe interpolation and manipulating the Speed Graph.
March 9, 2010, 11:53 am
Recently, I had the chance to moderate a live chat with two members of the editorial department for Avatar. Not only is it the biggest box office hit of all time, it's also nominated in nine different categories in the Academy Awards.
March 9, 2010, 11:53 am
My Avid Media Composer software has for years come with the visual effects plug-ins from Boris FX, the suite called Boris Continuum Complete (BCC). Boris is a software plug-in for Media Composer (and other platforms such as After Effects).
March 9, 2010, 11:50 am
Final Cut Pro, like most software developed originally for OS 9, is build on a type of code called (for short) Carbon. The Carbon APIs (Application Programming Interface – the building blocks of code) allowed Final Cut Pro, Photoshop, Illustrator, Media Composer and thousands of other applications to make the transition for OS 9 to OS X "reasonably painlessly".
March 8, 2010, 11:50 am
Overlap cuts (split edits) are fundamental for any editor. Most people create them in a two-step process, making a straight cut first and then overlapping it using Trim Mode. But there’s a hidden, one-step way to do it.
March 8, 2010, 11:49 am
I was extremely pleased that The Hurt Locker won for both picture editing and sound editing and sound mixing too. This was a picture and sound editor’s movie if there ever was one and it previously won the A.C.E. Eddie award for best feature editing.
March 8, 2010, 11:48 am
The Oscars announced the winners for film editing and the winners are: Chris Innis and Bob Murawski for The Hurt Locker. Congrats to both Chris and Bob as well as the other nominees. To see their thanks you speach and thank you cam click the link below.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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