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  • Cahiers De Cinema

    Cahiers De Cinema

    June 8, 2010, 8:49 pm
    France

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  • Other Postings By Member

    • AOTG
      SOUND

      Behind the Futuristic Expanse Sounds

      September 13, 2018, 8:42 am
      Thanks to its many fans, popular sci-fi series The Expanse will continue on Amazon Prime Video - and in this exclusive A Sound Effect interview, supervising sound editor Nelson Ferreira and sound designer Dave Rose discuss the science behind its sound + they give you the inside-story on how they created the sound of the mag boots, the comms, the weapons and tech, and much more.

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    • Compression: The Editors Secret Weapon for Audio
      SOUND

      Compression: The Editors Secret Weapon for Audio

      September 13, 2018, 8:42 am
      Far too many editors are afraid to touch audio tools like parametric EQ and compression. It’s unfortunate, since the fundamentals are easy to grasp and the payoff is immediate. This month we’re highlighting moviola.com’s free course on using a compressor to control the dynamics of a soundtrack. It can make the difference between a lackluster voiceover and one that punches through the mix. It can also keep an overenthusiastic performance from jarring your viewers.

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    • AOTG
      EDITING

      How I learned to turn failure into lessons for suc

      September 13, 2018, 8:42 am
      We all like to think of ourselves as pretty smart people, and we go to work each day feeling confident and competent. That said, we all have our moments when we feel inadequate and unsure of our abilities. For the self-employed among us, that nasty voice appears more often than we’d like. When you hear no every day from potential clients–or they completely ignore your emails and calls–it’s far too easy for crippling self-doubt to take over.

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    • AOTG
      ANIMATION

      Pixar Releases Non-Commercial RenderMan Version 22

      September 13, 2018, 5:39 am
      Pixar Animation Studios has announced the release of a major update to Non-Commercial RenderMan, version 22, allowing users to try out the "live rendering," which greatly expands the power of interactive rendering in all stages of the pipeline, from modeling, layout, to final lighting.

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    • AOTG
      EDITING

      Crazy Rich Asians’ Editor tackled the Mahjong Sc

      September 13, 2018, 5:39 am
      With a closer look at Crazy Rich Asians, there is quite the clever shift between the light and funny romantic comedy that draws us in and the dramatic second act we are dazzled with as the credits roll. It's quite the subversive take on an ensemble comedy that critics and audiences alike have been celebrating with box office highs we forgot a movie of this genre could achieve.

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    • AOTG
      VFX

      Solo's Old School Hyperspace Jump

      September 13, 2018, 5:39 am
      A new clip promoting Solo’s Blu-ray release is out, and it showcases the old-school techniques used to realise the hyperspace sequences on the Millennium Falcon. It includes a description of the technique by ILM’s Rob Bredow. Check out the clip below.

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    • Jiggling Jelly in Maxon Cinema 4D!
      VFX

      Jiggling Jelly in Maxon Cinema 4D!

      September 13, 2018, 5:38 am
      3D and motion graphics artist Dave Bergin of CG Shortcuts shows how to create and animate jiggling jelly in Maxon Cinema 4D using C4D's Jiggle Deformer.

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    • AOTG
      VFX

      Foundry ships Mari 4.2

      September 13, 2018, 5:38 am
      Long-awaited new mirrored projection system lets users paint symmetrically on any model: no need for a specialised UV layout.

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    • AOTG
      VFX

      Adobe unveils Fall 2018 release of AE

      September 13, 2018, 5:38 am
      Adobe has announced the new features coming up in its next update to After Effects, including depth passes for native 3D layers, updates to the Puppet Tool, a new expressions system, and a GPU-based Mocha plugin.

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    • Cinefex Vault #15 - Harry Potter 3
      VFX

      Cinefex Vault #15 - Harry Potter 3

      September 12, 2018, 12:25 pm
      Here’s an episode that we could not quite fit into our Cinefex 99 story on Harry Potter and the Prisoner of Azkaban, the third film in J.K. Rowling’s boy wizard saga, directed with great panache by Alfonso Cuarón. This amusing sequence – where Industrial Light & Magic visual effects supervisors Roger Guyett and Bill George shared duties with Potter series visual effects supervisor Tim Burke, and Nick Dudman’s creature effects team – deals with a mythological creature that allows students to confront their darkest fears. Now unleashed again, for your online reading pleasure, from the Cinefex Vault.

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