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June 28, 2012, 4:49 pm
The ability to work well in a shared, creative community is a key requisite for any professional editing solution used in producing today's feature films and prime time TV shows. As the hands-down leader in the development of integrated media environments for the post production industry, Avid understands this better than most.
February 14, 2017, 8:24 pm
Today’s Art of the Cut is with the editing team behind the critically acclaimed HBO series Westworld. Discussing their work on the series are editors Andrew Seklir, Tanya Swerling, Mark Yoshikawa and post production producer (and Westworld pilot editor), Stephen Semel. You can watch some free episodes here. HULLFISH: Why don’t you each tell me The post ART OF THE CUT with the editors of “Westworld” appeared first on ProVideo Coalition.
February 14, 2017, 8:24 pm
Vertical Video Syndrome was something people laughed at when the first videos appeared in YouTube, but even YouTube had to bow to the power of portrait mode video. The future is – also – 9:16. When, in 2015, the app YouTube for Android allowed users to view portrait mode videos properly with their smartphones, it The post Vertical video: a video editing solution for smartphone users appeared first on ProVideo Coalition.
February 14, 2017, 7:16 am
There are a wide variety of factors contributing to the quality of sounds that we hear in our lives throughout the day. The pitches, the frequency, the loudness and how the spaces interact with the sounds, contribute to the ultimate blend of it all. Reverberation is a physical trait, defined in physics as – the The post Reverb-28 Weeks of Post Audio-Week 14 appeared first on ProVideo Coalition.
February 11, 2017, 5:25 pm
I cannot tell a lie. It took me awhile to read the DaVinci Resolve 12.5 Editing book. Captivating prose and visceral vernacular do not grace the pages because the DaVinci Resolve 12.5 Editing book is all about editing, specifically the act of using DaVinci Resolve 12.5 to edit and how. When it comes to books The post DaVinci Resolve 12.5 Editing Book Review appeared first on ProVideo Coalition.
February 9, 2017, 6:43 am
Chris Tellefsen, ACE, has more than 30 credits as an editor, including The People vs. Larry Flynt, Flirting with Disaster, Analyze This, The Village, Capote, Moneyball (which earned him an Oscar nomination), Joy and the film I called to talk to him about: Assassin’s Creed. HULLFISH: Early in your career you were an assistant of Thelma Schoonmaker. TELLEFSEN: The post ART OF THE CUT with Oscar Nominee Chris Tellefsen, ACE appeared first on ProVideo Coalition.
February 7, 2017, 6:48 am
In this lesson, Kevin P McAuliffe answers a great viewer question about Sorenson Squeeze, and how it can interact directly with Avid Media Composer, to automate the process of squeezing (compressing) exports right from your Media Composer timeline! I always love viewer questions, as it sometimes challenges me to delve deeper into an application that The post Let’s Edit with Media Composer – Sorenson Squeeze Integration appeared first on ProVideo Coalition.
February 7, 2017, 6:48 am
During a live-streamed press conference, Blackmagic Design’s Grant Petty showcased a handful of new products for broadcasting over the air and the web. The live-stream itself was also a way to showcase one of their new product announcements: the Blackmagic Web Presenter. The rest of the products announced all work within a broadcast realm. Below The post Blackmagic Announces New ATEM, Web Presenter, and More appeared first on ProVideo Coalition.
February 6, 2017, 5:34 pm
One of the most vexing problems about mixing sounds at a home studio is the acoustical qualities of the spaces themselves. Professional sound studios are constructed to offer flat frequency response so as not to color the sounds playing back as you mix. If you have been EQing and altering the sounds for the environment The post Room Acoustics-28 Weeks of Post Audio-Week 13 appeared first on ProVideo Coalition.
February 3, 2017, 6:04 am
Today Art of the Cut speaks with Joi McMillon who was recently nominated for an Oscar for Best Editing for the film Moonlight which she co-edited with Nat Sanders. Her previous experience includes editing the TV show Girls and several short films, including one for the director of Moonlight, called Chlorophyl. HULLFISH: When was principal The post ART OF THE CUT with Oscar Nominated “Moonlight” editor Joi McMillon appeared first on ProVideo Coalition.
February 2, 2017, 7:31 am
I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in Adobe-land I can’t tell the difference. But a few months ago I switched to Windows permanently and the thing I miss most is ProRes. Last week on the ProVideo Coalition Facebook page, a PVC reader posted The post Windows ProRes: first impression appeared first on ProVideo Coalition.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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