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July 29, 2017, 4:51 am
Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe and America since the days of editing on film. Her first credited work as a feature editor was in 1998. Her films include Contraband, The Deep, John Wick, and her latest work with director David Leitch on the film Atomic Blonde. She has won several Edda Awards for Best Editing in Iceland and has been an active member of Iceland’s film industry guilds and academies. Art of the Cut interviewed her while she worked on Deadpool 2 in Vancouver.
July 29, 2017, 4:50 am
Team HALON joined KONG: SKULL ISLAND early in production for previs, and then was asked to return for extensive postvis work. We started with a small team collaborating with other people in the production but mostly the director, Jordan Vogt-Roberts.
July 28, 2017, 9:18 am
Over the years, the SIGGRAPH conference has had to adapt to changes in computer graphics and interactive technologies. One ‘track’ introduced in 2009 was Real-Time Live, designed to showcase developments in real-time graphics in games, rendering, and interactive simulations – but even this part of SIGGRAPH has had to evolve since its inception.
July 28, 2017, 9:18 am
In 2013, Scott Stokdyk told us about the work of Sony Pictures Imageworks on OZ THE GREAT AND POWERFUL. He then took care of the visual effects of DELIVER US FROM EVIL and THE 5TH WAVE.
July 28, 2017, 5:48 am
With preparations now underway for the 2017 Pro Sound Awards, we at Audio Media International are now on the hunt for our next pro audio Rising Star, and there is now just one week left until the deadline for entries.
July 27, 2017, 4:17 pm
New cloud hybrid rendering and virtual studio platform for VFX and animation studios to be introduced at SIGGRAPH 2017.
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
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