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July 5, 2012, 3:43 pm
Editors Mark Atken ASE, Andy Canny, and Sound Designer Craig Carter talk about about the challenges of editing episodic TV as well as the different approaches from the directors and how this affects the editing style for each episode. Craig talks about the differences doing sound design for TV as appeased to Big Budget films.
October 18, 2018, 12:14 pm
I’m the last person to tell you that Premiere Pro is better than Final Cut Pro (or the other way around) as I’m on Windows and have never used Final Cut Pro. But this video is not about which NLE is the best. I just want to address the topic of the magnetic timeline.
October 18, 2018, 12:14 pm
A ruined, decomposing world picked clean by those who remain, harshly rendered frame by frame. Out of that decay comes something new, driving he carrion-eaters away, holding them at bay… for now. For its ninth and latest season, AMC’s much beloved horror series The Walking Dead received a revamped title sequence. This completely new introduction — in both style and setting — sets the stage for the next chapter of the post-apocalyptic zombie saga — and the exit of one of its major characters.
October 18, 2018, 8:43 am
In this free video extract from the pureMix.net exclusive, "Brian Lucey: Mastering Philosophy & Techniques" Grammy Award Winning Mastering Engineer, Brian Lucey, discusses his philosophy to mastering, where it fits in the production process and how he approaches his art to establish a connection between the artist and the audience that has an immediacy and timeless result.
October 18, 2018, 8:43 am
Go behind the scenes of "Ant Man and the Wasp" with Danielle Costa, vice president of visual effects for Marvel Studios, as she explains all the amazing ways that CGI experts made characters bug-sized, enormous, and microscopic.
October 18, 2018, 8:42 am
Watching Damien Chazelle’s First Man offers the earthbound viewer the chance to finally realize they don’t have the right stuff. For folks of a certain age, becoming an astronaut used to be one of the coolest possible professions, the kind of thing you said you wanted to be when you were little and didn’t know what engineering was. Or math. Or physics. And, most crucially, you didn’t realize how insanely dangerous it is.
October 18, 2018, 8:42 am
These days, for those involved in professional music production and audio editing, your main tool of the trade is pretty obvious these days: a good and capable digital audio workstation (DAW).
October 18, 2018, 4:49 am
Last night at Adobe Max's Sneaks session, a showcase unveiling potential software features, comedian Tiffany Haddish and Adobe evangelist Paul Trani announced ten new tools that the company is exploring. The sneaks run the gamut from fun voice-to-music features to impressively useful tools like Smooth Operator, an intelligent vertical video cropping tool.
October 17, 2018, 12:16 pm
AE Pixel Sorter was the first tool to bring the pixel sorting glitch effect available for motion designers and video editors within After Effects. Experimenting with Pixel Sorting just became so much easier!
October 17, 2018, 12:16 pm
Matt Sloan began his career in visual effects in the early 2000s. He has worked on many projects such as DISTRICT 9, AVATAR, THE MARTIAN and MAZE RUNNER: THE DEATH CURE.
October 17, 2018, 7:27 am
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at Adobe Max that LANDR is now available in Premiere Pro!
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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