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July 5, 2012, 3:43 pm
Editors Mark Atken ASE, Andy Canny, and Sound Designer Craig Carter talk about about the challenges of editing episodic TV as well as the different approaches from the directors and how this affects the editing style for each episode. Craig talks about the differences doing sound design for TV as appeased to Big Budget films.
October 18, 2017, 1:35 pm
Of the many practical visual effects you can create with camera movements, passing through inanimate objects is the most visually striking and jarring (in a good way) trick you can pull. Add moving the character with the camera through a mirror or window, and you’ve created something truly special. It’s an excellent way to propel your story and style to new heights.
October 18, 2017, 1:34 pm
Final Cut Pro X's Magnetic Timeline helps you focus on story in a way no other NLE does. In the process, making you edit faster and more efficiently.
October 18, 2017, 9:26 am
Apple Final Cut Pro 7 compatibility ended with the release of macOS High Sierra, and Adobe’s 2018 Creative Cloud Update will give FCP7 editors an easier way to make the transition to Premiere Pro, if they so choose. Originally announced at IBC last month, the 2018 Creative Cloud Update offers a host of new updates including some enhancements in work flow organization and management.
October 18, 2017, 9:25 am
Dexter Studios presents their work on ONCE UPON A TIME in this VFX reel...
October 17, 2017, 12:39 pm
Does it lie in the carefully executed plans of a film’s cast and crew? Or does the magic rest upon fortuitous mistakes, spontaneity and improvisation? What steps must be taken to convey your vision and intent? Watch our video series, Frame of Mind, to get answers to these questions and more from commentators working in a wide variety of areas in production who’ll guide you through clips from their films, in their own words. Moviemakers and film fans: Grab your notepads, popcorn, or both, and press play.
October 17, 2017, 12:39 pm
Spider-Man: Homecoming star Tom Holland trained tirelessly to do as many of his own stunts as possible, but some of them were just too epic to do live. In stepped the team at Imageworks VFX, who just released an incredible video giving us a glimpse at the film’s incredible CGI.
October 17, 2017, 9:20 am
In more than 20 years, Kendrick Wallace has produced the effects of many projects such as MAX PAYNE, THE A-TEAM, ABRAHAM LINCOLN: VAMPIRE HUNTER or INTO THE WOODS. He talks to us today about his work on IT.
October 17, 2017, 9:19 am
Women In VFX, a project sponsored by Charmaine Chan , offers a series of video interviews with women artists, producers, directors and technicians in London studios:
October 17, 2017, 9:19 am
As the freelance economy grows, its denizens want to revise popular understanding about the work they do. Or as Upwork CEO Stephane Kasriel puts it, “There is a feeling that freelancing is about driving Uber cars, and it’s not.”
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
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