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  • The Conversations

    The Conversations

    June 8, 2010, 9:30 pm
    A fantastic page turner that gives a close intimate understanding of Walter Murch and his approach to film editing. It also looks closely into some of his new ideas while re-examing his past ideas from In the Blink of an Eye. A must for any editor.

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  • Other Postings By Member

    • AOTG
      EDITING

      92nd Academy Awards Nominations Announced

      January 13, 2020, 3:21 pm
      The complete list of nominees for the 92nd Academy Awards, the most prestigious award in Hollywood, have been announced today (from Oscars.org). The Academy of Motion Picture Arts and Sciences revealed the nominees this morning via live broadcast. Looking back on it, 2019 was a particualrly exciting year for cinema, with a set of extraordinary films - many of which (but not all!) are thankfully getting honored with well-deserved nominations. There's no need to spend any more time introducing, let's get right into it! This year, The Academy selected a total of nine Best Picture nominees, including: The Irishman, Jojo Rabbit, Joker, Little Women, and Parasite. What a day for Parasite! Without further ado, review the full list below.

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    • AOTG
      EDITING

      2020 Oscar Nominations List: Academy Awards Nomine

      January 13, 2020, 3:21 pm
      Todd Phillips’ “Joker,” a comic-book origin story about Batman’s biggest foe, scored a leading 11 Oscar nominations on Monday, including best picture, best director for Phillips and best actor for Joaquin Phoenix.

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    • AOTG
      VFX

      The Lion King’s VFX Supervisor Believes Virtual

      January 13, 2020, 3:21 pm
      Jon Favreau’s The Lion King is a revolutionary bit of filmmaking just in being an animated film meant to look hyper realistic – but it’s not only in the finished product where you can see the next level thinking, as it was also a big part of the work behind the scenes. As part of the development for the project, a special virtual reality program was created that allowed key members of the cast and crew the ability to figuratively step inside the world of Pride Rock and get a sense of the setting as though the production was shooting on location.

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    • AOTG
      VFX

      DP/30 Junket: Alita: Battle Angel, Visual FX Team

      January 13, 2020, 3:20 pm
      The Oscar-Shortlist Special Effects team for Alita: Battle Angel sat down for a conversation with David Poland about their work on the film.

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    • AOTG
      VFX

      The 10 best VFX and animation breakdowns of 2019

      January 13, 2020, 3:20 pm
      Discover the best technical breakdown videos from 2019, from movie and broadcast effects to animation, motion graphics and personal R&D work, as determined by over CG Channel 120,000 Facebook followers.

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    • AOTG
      VFX

      VFX Nominations Announced for 92nd Academy Awards

      January 13, 2020, 3:20 pm
      The Academy of Motion Picture Arts and Sciences has announced this year’s nominations for achievement in visual effects. The nominations are...

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    • AOTG
      EDITING

      How '1917' Was Filmed To Look Like One Shot

      January 11, 2020, 7:08 pm
      Golden Globe-winning "1917" is a serious Oscar contender. It stars George MacKay, Dean-Charles Chapman, Colin Firth, and Benedict Cumberbatch and was filmed to look like one continuous shot. Cinematographer Roger Deakins explains how he and director Sam Mendes did it, from digging up a mile of trenches to attaching cameras to cranes and drones.

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    • AOTG
      EDITING

      ‘Just Mercy’ Took a Year to Edit

      January 10, 2020, 8:38 pm
      Editor Nat Sanders is well-versed in dealing with difficult and painful subject matters. He won an Oscar nomination for his work (along with co-editor Joi McMillon) on Barry Jenkins’ “Moonlight,” and then cut the director’s poetic drama “If Beale Street Could Talk.” He’s also edited several projects for writer-director Destin Daniel Cretton, including “The Glass Castle.”

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    • AOTG
      EDITING

      Editor Kim Horton on Working With Michael Apted on

      January 10, 2020, 8:38 pm
      In film history, there’s never been a project like the nine “Up” British documentaries, which have presented unique challenges for director Michael Apted and editor Kim Horton as they follow the lives of British individuals in seven-year intervals. Horton, who has edited the films since the 1984 “28 Up,” says, “It’s probably the greatest thing I’ve ever done. Michael refers to it as his life’s work, and I see it the same way.”

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    • AOTG
      VFX

      THE WITCHER: VFX Breakdown

      January 10, 2020, 8:38 pm
      Don’t miss this VFX Breakdown by Framestore about their environment and magical effects work on the Netflix adaptation of THE WITCHER...

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