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July 13, 2012, 11:03 am
CULVER CITY -- At Sony Colorworks, digital colorist Steve Bowen and DI conformist Benjamin Sutor worked with a pretty inventive system for the color correction and conforming for The Amazing Spider-Man, directed by Marc Webb.
November 16, 2017, 8:43 am
Artificial intelligence (AI) is just about at the peak of the Gartner hype curve, disillusionment will follow. But in the meantime, we can look at how in-depth analysis of unstructured data, like media and entertainment files, can lead to increased use of the content and more ways to monetize content. At the 2017 SMPTE Technical Conference there were keynotes and sessions focusing on how AI will improve media workflows. AI in Media and Entertainment Workflows Jeff Ke...
November 15, 2017, 5:38 pm
GRASS VALLEY, CA — AJA Video Systems has collaborated with Avid to develop Avid Artist|DNxIP, a new hardware interface option for Media Composer users that supports high frame rate, deep color and high dynamic range IP workflows. Avid Artist|DNxIP is a Thunderbolt 3-equipped I/O device that enables the transfer of SMPTE standard HD video over 10 GigE IP networks, with high-quality local monitoring over 3G-SDI and HDMI 2.0.
November 14, 2017, 1:36 pm
LOS ANGELES — Two years after signing with Whitehouse Post for Los Angeles representation, editor Tobias Suhm has officially made his move to the West Coast. The former Berlin-based editor brings well over a decade’s worth of experience to LA.
November 13, 2017, 6:04 pm
STUDIO CITY, CA — The Motion Picture Sound Editors (mpse.org) have announced that they will present sound designer/sound recordist John Paul Fasal with its 2018 MPSE Career Achievement Award. A 30-year veteran of the sound industry, Fasal has contributed to more than 150 motion pictures and is best known for his groundbreaking work in field recording. Among his many credits are Top Gun, Master and Commander: The Far Side of the World, Interstellar, The Dark Knight, American Sniper and ...
November 10, 2017, 1:16 pm
LOS ANGELES — Twenty-six features have been submitted for consideration in the Animated Feature Film category for the 90th Academy Awards. Nominations will be announced on Tuesday, January 23rd, and the 90th Oscars will be held on Sunday, March 4th.
November 8, 2017, 2:54 pm
DALLAS — Lucky Post (www.lucky-post.com) has added senior Flame artist Dan Margules to its team. He’s known for his work on such projects as Lego Batmanfor Sky, Gold Bond’s Shaq Wisdom, Canada Dry’s Busy, and the Prey game trailer. Margules has also contributed to groundbreaking 360VR experiences for the Oscar-winning film The Arrival, and the Shinola Factory Tour.
November 7, 2017, 10:38 am
LONDON — Framestore reunited with Marvel Studios to deliver the climactic final act of Thor: Ragnarok, producing 459 shots of heavy-duty VFX and a host of fully-CG characters. The film was directed by New Zealand comic filmmaker Taika Waititi, whose credits include What We Do In The Shadows and Hunt for the Wilderpeople.
November 7, 2017, 10:37 am
NORTHAMPTON, UK — Edit8 (edit8.com) transcriber is a new app that uses Google Speech recognition to analyze and transcribe footage in a way that makes it accessible via Avid and Premiere. The tool basically creates clip markers, which make the whole process of finding the right sentence in hours of footage much easier, allowing editors to focus on building the story instead of wasting time looking for certain spoken sentences.
November 7, 2017, 5:39 am
TOKYO — Wacom (www.wacom.com) has introducd the Wacom Pro Pen 3D, a new digital pen that is designed for use on the company’s MobileStudio Pro, Cintiq Pro or 2017 Intuos Pro pen tablet. The pen’s new third button provides additional control options for 3D programs and applications.
November 6, 2017, 2:33 pm
ADELAIDE, SOUTH AUSTRALIA — Rising Sun Pictures (rsp.com.au) created more than 170 final visual effects shots for Thor: Ragnarok¸ the new film from Marvel Studios. Working under the supervision of director Taika Waititi, production visual effects supervisor Jake Morrison and production visual effects producer Cyndi Ochs, RSP’s team spent more than 18 months helping to craft some of the film’s most memorable, creative and technically challenging scenes.
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
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