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August 1, 2012, 9:12 pm
Digital media training organization, Future Media Concepts, announced today that it opened its first West Coast training facility in Irvine, Calif., bringing the total number of FMC training centers worldwide to 11. The new facility is possible thanks to FMC's purchase of Irvine-based Promedia Academy.
June 19, 2017, 5:59 am
Stranger Things’ award winning music supervisor, Nora Felder, took the time to field some questions from Below the Line. Q: Just for some background, please tell us how you got involved with Dead Presidents and Tank Girl. A: This was at the very start of my career when getting my feet wet in the […] The post Q&A with Nora Felder, Music Supervisor for Stranger Thing appeared first on Below the Line.
June 15, 2017, 4:31 pm
SGO today announced the availability of its VR focused program, Mistika VR. Available immediately, the software has been developed using award-winning Mistika technology and offers users real-time stitching capabilities combined with an intuitive interface and raw format support. Using Mistika Optical Flow Technology, the new VR program takes camera position information and sequences, then stitches […] The post SGO Announces Availability of its Mistika VR to Enable Advanced Real-Time ...
June 13, 2017, 5:56 am
Creative content company Alkemy X has made several key hires in its award-winning VFX division: VFX supervisor Steve Sanchez, VFX supervisor Gabriel Regentin, senior VFX producer Caitlyn Tomasik, VFX pipeline manager/R&D lead Luiz Garrido, compositor Alejandro Monzon, and VFX production coordinator Mitch Campbell. The new posts are based in the company’s New York office. “Demand […] The post Alkemy X Expands VFX Team With Multiple New Hires appeared first on Below the Line.
June 5, 2017, 4:54 pm
The FuseFX Los Angeles crew has announced that they have recently provided visual effects services for two projects by Oscar-winning writer/producer/director John Ridley— the anthology series American Crime and the feature-length documentary Let It Fall, which aired April 28. The studio served as the sole visual effects provider for the third season of American Crime, […] The post FuseFX Provides VFX for John Ridley’s American Crime and Let It Fall appeared first on Below the Line.
June 5, 2017, 4:53 pm
Bi-coastal editorial company, Arcade has announced the addition of creative editor Graham Chisholm to their team. Chisholm brings a wealth of experience to Arcade and a unique perspective on the art of storytelling. “I’m stoked to have Graham join our family,” said Arcade’s managing partner Damian Stevens. “Graham’s ability to tell stories that draw in […] The post Bi-coastal Arcade Signs New Editor Graham Chisholm appeared first on Below the Line.
June 3, 2017, 5:52 am
In a film with 2360 total shots, and, out of those, 2301 shots which include visual effects, the project’s visual effects supervisor had one summary comment: “It’s fun.” For Guardians of the Galaxy Vol. 2, visual effects supervisor Chris Townsend, with the daunting task of an unprecedented percentage of his film including visual effects, he […] The post Chris Townsend, Visual Effects Supervisor Guardians of the Galaxy Vol. 2 appeared first on Below the Line.
May 23, 2017, 3:34 am
The Animation Effects Award Festival (AEAF) has announced speakers for its AEAF 2017′ Speaker Program, which takes place from 10am to 5pm on the 15th and 16th of August, with the AEAF awards following at 6pm on the 16th. AEAF 2017 will take place at the Chauvel Cinema in Paddington, Australia. List of speakers, along […] The post Animation Effects Award Festival 2017 Speaker Program appeared first on Below the Line.
May 22, 2017, 3:43 am
An in-depth VFX breakdown reel showcasing the behind-the-scenes efforts by the Atomic Fiction team for Fox‘s Deadpool, based on the Marvel comic character. The post Video of the Day: Deadpool Visual Effects Breakdown appeared first on Below the Line.
May 22, 2017, 3:43 am
Mark Isham has been announced to score the upcoming series Cloak and Dagger, created for Freeform by Joe Pokaski, is based on the Marvel Comics‘ characters of the same name, and follows the story of two teenagers from very different backgrounds who find themselves burdened and awakened to newly acquired superpowers while falling in love. Isham […] The post Composer Mark Isham Scoring Marvel’s Cloak and Dagger appeared first on Below the Line.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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