Welcome to AOTG.com

Sign up free

Be a part of a unique online community that connects post production professionals and film academics worldwide.

You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.

Member Login

Social Login!

Not a Member? Sign Up!

(minimum 3 characters)
I agree with the Terms of Use and Privacy Policy
To receive account info and prevent it landing in your spam folder, add info@aotg.com as an email contact.

  • mocha Pro v3 - A Process of Guided Evolution

    mocha Pro v3 - A Process of Guided Evolution

    August 10, 2012, 8:13 am
    In April 2012, Imagineer Systems announced a major point release of their VFX toolbox product mocha Pro v3. In this review, Andrew Devis looks at all the changes and improvements to mocha Pro and how those changes impact the work-flow of VFX artists to save them time and frustration.

    • Report
    • Share
    • Save

    Share this posting

  • Other Postings By Member

    • AOTG
      VFX

      Adobe to Launch Full photoshop for iPad

      July 13, 2018, 6:41 am
      Adobe's chief of Creative Cloud software Scott Belsky confirmed that the company is working on a new cross-platform version of Photoshop and other apps, but declined to specify the timing of their launches.

      • Report
      • Share
      • Save

      Share this posting

    • Selina MacArthur on Editing Black Mirror
      EDITING

      Selina MacArthur on Editing Black Mirror

      July 12, 2018, 10:06 am
      Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      2018 Emmy Nominees Announced

      July 12, 2018, 9:50 am
      Here's the full list for Emmy Nominees 2018.

      • Report
      • Share
      • Save

      Share this posting

    • FALLEN KINGDOM: Pietro Ponti - VFX Supervisor
      VFX

      FALLEN KINGDOM: Pietro Ponti - VFX Supervisor

      July 12, 2018, 4:29 am
      Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10’000 BC, THE DARK KNIGHT, TERMINATOR GENISYS and FANTASTIC BEASTS AND WHERE TO FIND THEM.

      • Report
      • Share
      • Save

      Share this posting

    • PACIFIC RIM - UPRISING: Behind the VFX
      VFX

      PACIFIC RIM - UPRISING: Behind the VFX

      July 12, 2018, 4:29 am
      Russell Bowen, CG Supervisor at DNEG, talks about the environment work on PACIFIC RIM – UPRISING...

      • Report
      • Share
      • Save

      Share this posting

    • The Art of Ant-Man & The Wasp with Marvel Studios
      VFX

      The Art of Ant-Man & The Wasp with Marvel Studios

      July 12, 2018, 4:29 am
      Whether they’re designing enormous tissue-growing, green-skinned warriors or rapidly shrinking, astonishingly tiny superheroes, Marvel Studios’ Visual Development Department has mastered its ability to visualize the look and feel of the Marvel cinematic universe. Ant-Man and the Wasp premiered at the El Capitan Theatre in Hollywood on June 25 and hits cinemas July 6, 2018. On the heels of the US release, six of the Marvel Studios Visual Development team will assemble at the Lenovo Stage at Gnomon School of Visual Effects on July 12 to uncover the stunning work that went into designing Ant-Man and the Wasp, Marvel’s 20th movie.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      Is ‘Approved by Netflix’ becoming the new base

      July 12, 2018, 4:28 am
      First cameras started proudly wearing their ‘Approved by Netflix’ badges and then the streaming giant turned its attention to domestic television sets. The latest thing we have seen now is a list of hardware and software that the company specifies for colour grading in Dolby Vision, the format it uses for mastering, packaging and delivery of all its Netflix Originals.

      • Report
      • Share
      • Save

      Share this posting

    • Creating a Dark and Stormy Night in FCPX
      EDITING

      Creating a Dark and Stormy Night in FCPX

      July 11, 2018, 12:26 pm
      This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create an animated outdoor scene using only a photo and a few effects built in Final Cut Pro X.

      • Report
      • Share
      • Save

      Share this posting

    • Working for Scale: ‘Ant-Man and The Wasp’ Ups
      VFX

      Working for Scale: ‘Ant-Man and The Wasp’ Ups

      July 11, 2018, 12:26 pm
      Fans of Ant-Man’s amazing miniature world are in for many more elaborate visual effects in the fantastic sequel Ant-Man and The Wasp, in theaters now. This time around, the Quantum Realm and The Wasp take the lion’s share of the creative team’s work.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      VFX

      Foundry ships Flix 5.4

      July 11, 2018, 9:17 am
      Foundry has released Flix 5.4, the latest update to its next-generation ‘collaborative story development tool’, originally developed in-house at Sony Pictures Imageworks.

      • Report
      • Share
      • Save

      Share this posting





    SUBMIT A LINK

    Newest From Aotg.com
    Stay Informed
    • Mail List

      E-Mail Newsletter

      Choose what Post News gets sent directly to your E-Mail, daily or weekly.

    • Apple iOS Mobile App

      AOTG App for iOS

      Get your post news on your favourite Apple device, when you want it where you want it.

    • Android Mobile App

      AOTG App for Android Devices

      Get your post news on your favourite Android device with the AOTG Android App.