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August 14, 2012, 3:00 pm
Last week at the Los Angeles Convention Center, SIGGRAPH L.A. 2012 once again brought together the worlds of art and science to show attendees the latest in computer graphics and interactive techniques. This convergence results in a nearly endless spectrum of artistic applications of science and scientific expressions and impressions of art.
June 22, 2012, 3:20 pm
In an effort to educate and motivate Americans across the country to support legislation for the National Women's History Museum (NWHM), which would lead to the construction of a museum on the National Mall, NWHM has reached out to Hollywood's brightest stars to launch a grassroots Public Service Announcement (PSA) campaign based on the theme,
June 18, 2012, 2:52 pm
Avid announced its sponsorship of Film School Fridays - a new weekly podcast featuring writer, director and editor Kevin Smith and student filmmakers engaging in lively round-table discussions concerning all aspects of independent film production. Produced by SModCo Smith's multi-platform production company, each Film School Friday podcast features students from top film schools, including the University of Southern California School of Cinematic...
June 12, 2012, 4:42 pm
Technicolor - PostWorks New York recently provided film laboratory and digital postproduction services for Moonrise Kingdom, the new motion picture from Focus Features and director Wes Anderson that opened the Cannes International Film Festival. The facility handled film processing, dailies production and digital intermediate color grading. DCP production and film recording were done at Technicolor, Los Angeles.
June 12, 2012, 4:42 pm
Santa Monica-based Company 3 recently provided sophisticated color grading and postproduction services for Twentieth Century Fox's action thriller, Prometheus. Colorist Stephen Nakamura graded multiple versions of Ridley Scott's 3-D science-fiction adventure, translating the vision that Scott and cinematographer Dariusz Wolski, ASC, designed in subtly different ways to make the most of each of the different projection systems being used for the film's theatrical release.
June 12, 2012, 4:42 pm
New York editorial post house Beast announced the addition of editor Shira Ankori to its roster. For the last decade Ankori has been editing spots for dozens of major brands, including Taco Bell, Toyota, Walmart, DIRECTV, Merrill Lynch, SONY and Chevy.
June 11, 2012, 2:08 pm
Colorworks provided 4K postproduction finishing services for Eldorado, a motion picture short, produced by Sony to demonstrate the capabilities of its F65 CineAlta digital motion picture camera. Eldorado, which debuted at NAB 2012, was written, directed and lensed by Curtis Clark, ASC, who also directed The Arrival, a short film shot with the F65 last year.
June 8, 2012, 1:51 pm
Avid announced its support of the Sundance Institute's annual June Directors Lab, taking place in Utah. For more than 20 years, Avid has equipped this program with its flagship professional editing software, and in 2012, the eight selected projects and associated program participants will use Avid Media Composer 6 software, Nitris DX hardware and Avid ISIS 5000 shared storage to enhance and speed their creative process.
June 5, 2012, 12:23 pm
Burbank post-production facility FILMLOOK Media and Post recently installed a Baselight color grading system from FilmLight. This new system includes FilmLight's Blackboard 2 control panel. This allows FILMLOOK, for the first time, to provide its television clients -- such as Disney Channel, Fox, CBS, ESPN and HBO -- with color grading services in a file-based...
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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