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February 15, 2018, 7:08 am
As you may have heard we are looking for reader QuickTips for this 2018 edition of #28daysofQuickTips including Final Cut Pro X QuickTips. Send in a good one and you might win a hard drive, a copy of Hedge or an ART OF THE CUT BOOK. Our sunrise-sunset was a reader QuickTip and today we have several tips for Final Cut Pro X.
February 14, 2018, 1:19 pm
’d first knowingly heard Icelandic composer Jóhann Jóhannsson‘s work in Denis Villeneuve’s Arrival, in which the score is characterized by a low, rumbling din and staccato vocalizations that, fittingly, sound altogether alien to the ears.
February 14, 2018, 10:20 am
No matter how awesome your movie, there are always ways to improve it. Having spent the greater part of my career working in film distribution, most rough cuts are ten minutes too long. But if you are like most filmmakers, you’re too close to the material to know what to cut and what to keep.
February 14, 2018, 10:20 am
Ask people to highlight great film editing and they’ll often point to a blockbuster with fast cuts set against a big action backdrop. But this year the list of Academy Award nominees in this category are mostly indie films, with one notable exception, that run at their own unique pace.
February 14, 2018, 6:26 am
This free video tutorial brought to you in association with Avid is the sixth in a series, aimed at people who are new to recording or new to Pro Tools. We follow the development of a demo recording from the point of view of someone with no prior experience of recording.
February 14, 2018, 6:25 am
“War for the Planet of the Apes” from Weta Digital could well be on its way to the elusive VFX Oscar after winning four VES trophies Tuesday night at the Beverly Hilton (including the top feature prize). Christopher Nolan’s “Dunkirk” won for supporting VFX, Pixar’s “Coco” earned four awards (including VFX for animation), and “Game of Thrones” took home five awards (including VFX for TV).
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
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