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August 30, 2012, 1:42 pm
These power tips are geared toward the FCP editor and will you get up tospeed quickly with the nuances and new features in Adobe Premiere Pro CS6! Maybe you've come to Adobe Creative Suite Production Premium from Final Cut Pro or Avid Media Composer. If so, you'll want to take advantage of the new features found in Adobe Premiere Pro CS6. I myself am a switcher and a former Final Cut editor.
February 19, 2014, 5:43 am
The HPA Tech Retreat is an annual gathering where film and TV industry folks discuss all manner of technical and business issues. The first full day is a “supersession”; this year the topic is: THE NEW NORMAL IS ANYTHING BUT – HOW DIGITAL TECHNOLOGY FROM CREATION TO CONSUMPTION IMPACTS EVERYTHING HPA’s Jerry Pierce: the supersession Read More
February 18, 2014, 5:38 am
The HPA Tech Retreat is an annual gathering in the desert east of Los Angeles (in a posh resort, mind you; it’s not like we’re out sitting in the hot sun among the Joshua trees) where film and TV industry folks discuss all manner of technical and business issues. There are two parallel Monday sessions, Read More
February 3, 2014, 5:52 am
Never have a mic in the shot again! Monday February 3rd 2014, Sydney Australia – Australian pro-audio manufacturer RØDE Microphones has announced the invisiLav mount, designed to aid in the discreet concealment of lavalier microphones under clothing. The invisiLav’s soft silicone construction absorbs noise and vibration, while a wide, flat profile provides coverage from the Read More
January 18, 2014, 8:41 am
New OLED monitors are able to display most of the DCI P3 color space, something that was previously impossible to do without a digital projector and a very dark room. Some are saying that on-set monitoring in P3 is a natural next step given that most cameras out there can capture wide gamut color. Is Read More
January 17, 2014, 4:33 pm
Every time I download a new version of Resolve I have to fill out the little questionnaire that asks me what features I’d like to see added quickly. I always write, “Add a waveform scale that reads in percentages!” And Blackmagic Design never does. I’ve asked several people at Blackmagic why they don’t add this Read More
May 31, 2013, 4:35 am
I've spent a long time learning to make HD footage look "filmic" without really knowing exactly what that meant. I've just picked up a bit of insight, however, and it's permanently changed how I look at video and color.
May 6, 2013, 5:02 pm
Includes Next Generation of "CC" Desktop Applications and Delivers FullyIntegrated Cross-Device Collaboration, Community and Publishing Capabilities LOS, ANGELES -- May 6, 2013 -- At Adobe MAX, The Creativity Conference, Adobe (Nasdaq:ADBE) today announced a significant update to Adobe® Creative Cloud(TM), the company's flagship offering for creatives. Available in June and packed with new features, Creative...
April 28, 2013, 9:06 am
Another NAB has come and gone, along with some time to decompress, recover, wade through the booth literature, and get some perspective on what went on. Herewith, my take on the Big Picture (literally), as well as the smaller, mostly camera-related highlights that caught my eye. 4k: Cameras, displays, and everything in between Prior to Read More
April 16, 2013, 7:22 pm
Resolution is a double-edged sword. It makes our pictures clearer, more useful, and helps make them as "future-proof" as possible.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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