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August 30, 2012, 1:42 pm
These power tips are geared toward the FCP editor and will you get up tospeed quickly with the nuances and new features in Adobe Premiere Pro CS6! Maybe you've come to Adobe Creative Suite Production Premium from Final Cut Pro or Avid Media Composer. If so, you'll want to take advantage of the new features found in Adobe Premiere Pro CS6. I myself am a switcher and a former Final Cut editor.
April 9, 2013, 9:58 pm
ATTO Technology, Inc. is showcasing its extensive line of storage and network connectivity products in workflow demonstrations at the 2013 NAB Show in Las Vegas, Nevada April 8 through April 11. Matching this year’s NAB theme of “Metamorphosis: The Changing Face of Media and Entertainment,” ATTO will show exactly how their innovations have revolutionized the Read More
April 9, 2013, 9:56 pm
Small Tree is showing its new ThunderNET solution for post-production professionals at NAB 2013 (Booth SL6005). Created to enable post-production pros to take advantage of the increasing processing power available in today's all-in-one desktop...
April 9, 2013, 9:56 pm
Along with the new 4K camera and Pocket Cinema Camera, DaVinci announced Resolve 10 ($2000) and Resolve 10 Lite (free) to shp Q3 2013. Resolve is a color grading tool that works with Premiere Pro, Media Composer, & FCP 7/X. The lite version has most of the features of the full version except no noise Read More
April 9, 2013, 9:55 pm
NVIDIA announces five new notebook GPUs which deliver a trifecta of technologies that seamlessly and automatically maximize a consumer’s notebook performance and experience.
April 9, 2013, 9:55 pm
Kollaborate is a cloud workflow platform for video professionals, offering online storage, video playback and approval, project and task management and tight integration with desktop and mobile companion tools.
February 14, 2013, 7:46 pm
Make the switch to Adobe® Premiere® Pro CS6 and stay within budget. Get your complete production toolkit and more as part of the Creative Cloud for just $49.99/month. Kappa Studios switches from Avid to an all Adobe workflow for the production of Cartoon Network’s new hit show Annoying Orange. This animated series originated online and Read More
January 29, 2013, 10:15 pm
New add-on for Sony Vegas to frame, highlight or surround areas of a video France — January 29, 2013 — The FBmn Software’s Border plug-in is designed to help videographers frame, highlight or surround a certain area of interest in a video with a border shape, to draw a viewer’s attention directly to a specific Read More
January 18, 2013, 2:42 pm
Pete Bauer explains the process of transitioning from Adobe CS6 or other disc-based NLE applications to Adobe Creative Cloud. (runs just under 7 min.) This Adobe CS6 tutorial by Pete Bauer of Contrail Media walks you through the process of subscribing to and using Adobe Creative Cloud, which is an online subscription service that lets Read More
December 18, 2012, 9:32 pm
Cutting a 14-Camera Music Video in FCP X Some months ago, I was looking for a project that would let me explore FCP X's multi-cam capabilities. Then I heard about The Nash, Phoenix's new jazz education and performance venue. I figured a project with them might be a great opportunity to learn something useful about Read More
December 18, 2012, 5:04 pm
This article was originally published on Tim Dashwood’s blog and is reprinted here with his kind permission. The Hobbit has finally been released in 2D and 3D at the traditional 24 frames per second (fps) as well as 3D High Frame Rate (HFR) at 48 fps. If the posts on social media are a fair Read More
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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