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June 11, 2010, 7:32 am
For at least the last six years, and really even before that, Apple’s Final Cut Pro and Avid’s Media Composer have been the leading products for professional editing, with FCP having carved it’s way into Avid’s market share quite substantially in some sectors.
December 22, 2020, 2:18 pm
Apple’s ARM-based M1 Macs have definitely conquered the computing and tech news, at least until Cyberpunk 2077’s disastrous launch took over. The chip’s power and capabilities have definitely impressed both users and pundits but all that is for naught if apps don’t take advantage of it.
December 22, 2020, 2:18 pm
Today, Local 600/ICG Magazine hosted an amazing panel on s2 of The Mandalorian, hosted by Executive Editor David Geffner, which dived into the LED Volume work and VFX from this season.
December 22, 2020, 2:18 pm
Hi readers, it’s been a big year at befores & afters. I’ve been aiming to post content pretty much daily here, there’s the brand new print publication (!), and technical stories have been ramping up on the site as well.
December 22, 2020, 2:17 pm
2020 will go down in history as a big “What the Fuck?” Year! We’ve all experienced different things, but I don’t think many of us have had positive experiences. But to put things in perspective, we’re given an opportunity for a do-over. We’re all in this situation. When I realize that, it’s a bit more reassuring. How can we leverage things out? How can we turn this around?
December 21, 2020, 3:38 pm
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. How does Werner craft the structure, how do they decide what the V/O should be, and more importantly, the prickly topic of the implications of the Voice of God style documentaries?
December 21, 2020, 3:37 pm
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make a movie internationally when the entire crew is located in separate countries.
December 21, 2020, 1:54 pm
I never made a decision to become a film editor – or, in any case, I didn’t decide upon it at a young age and follow a single career path. It’s important to say this because too often young people are asked to have a well-defined and realistic life plan, prove their efficiency, and know how to sell themselves.
December 21, 2020, 1:54 pm
We had to bid farewell to an awfully large number of talented men and women who worked in the animation and visual effects business in 2020. We honor their memory on these pages and share our gratitude for the many artistic contributions they made to our world. A big thanks to animation veteran, author and educator Tom Sito, who is producing a virtual Afternoon of Remembrance on Saturday, January 30 at noon (PST) to honor these animation luminaries.
December 18, 2020, 2:00 pm
Weta Digital has tapped Ken Kamins, and former Disney COO Tom Staggs, and Google SVP Jeff Huber to its Board of Directors. The appointments come as the Peter Jackson studio has offices planned in Los Angeles and San Francisco. The trio join Weta Digital board members Peter Jackson, Fran Walsh, Sean Parker, Joe Letteri and CEO Prem Akkaraju.
December 18, 2020, 2:00 pm
LOS ANGELES – Weta Digital, one of the world’s premiere visual effects facilities and parent company of Weta Animated, has announced the addition of industry leaders Tom Staggs, Jeff Huber, and Ken Kamins to its Board of Directors. The appointment of Staggs, Huber and Kamins reflect the continued growth and innovation of the company, which is also opening offices in Los Angeles and San Francisco.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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