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September 7, 2012, 10:26 am
If you're going to be in Amsterdam this weekend for IBC 2012, why not pop along and see a revolution in video production. In their booth in Hall 7, Stand K39, they have created the production office of the future. This is not your grandmother's booth stand. They've built a real life garden, complete with...
February 11, 2013, 8:30 am
Colorworks, Sony Pictures Entertainment's digital intermediate facility, has opened a new facility focused on 4K television post-production. Located in the Capra Building on the Sony Pictures lot in Culver City, Colorworks 4K Television will provide post-production services for original programming shot in 4K and re-mastering services for film-originated media. It will deliver both HD masters...
February 6, 2013, 7:57 pm
Cortex Editions are tailored to the needs of different user groups with extra features and codec support. After a successful initial rollout of its Cortex product line in November 2012, MTI Film is announcing new editions of the software-based dailies solution that support formats targeted to specific users from on-set to large facilities. MTI Film...
February 6, 2013, 4:01 pm
Imagineer Systems February 2013 Imagineer Honored with Scientific and Engineering Academy Award® The Academy of Motion Pictures has announced that nine scientific and technical achievements represented by 25 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation at The Beverly Hills Hotel on Feb 9, 2013. Dr. Philip McLauchlan...
February 6, 2013, 3:57 pm
The company will showcase Swift(TM), its family of re-architected solutions for closed captioning/subtitling and video description software that allows content producers, broadcasters and network operators to quickly and efficiently comply with the FCC Twenty-First Century Communications and Video Accessibility Act (CVAA) mandates for...
January 29, 2013, 10:16 pm
With three finishing suites, facility targets independent films, documentaries and television. The Room, a boutique finishing facility servicing independent films, documentaries, long-form television and similar projects, has moved into a new, custom-built facility housed within Technicolor - PostWorks' West Village location at 110 Leroy Street. The new site, which was designed by acclaimed architect Rafi...
January 16, 2013, 3:37 pm
Continuing to grow its creative staff, Dallas editorial boutique Treehouse has hired editor Jayson Limmer. Formerly with 3008, Limmer arrives with more than eight years of experience in cutting spots for agencies in Dallas and other markets, and credits that include such brands as Charter, Western Union, Gamestop, Red Lobster, HEB and Zales. In his [...]
January 9, 2013, 8:15 am
Boris FX, the leading developer of integrated visual effects and workflow technology for video and film, announces that Boris Continuum Complete 8 FxPlug (BCC 8 FxPlug) is now available for Apple Final Cut Pro X and Motion 5 in addition to Final Cut Pro 7. Saving time and post-production budgets, Boris Continuum Complete gives editors [...]
January 8, 2013, 9:00 am
Colorflow (http://colorflow.com/), a full-service post-production company specializing in color grading for independent films, documentaries, long-form television and similar projects, has opened an all-new, state-of-the-art facility in the historic Saul Zaentz Media Center in Berkeley, California. The 7500-square foot facility features three color grading and finishing suites, and a DCI-compliant DI grading theater. Colorflow has recently...
December 20, 2012, 9:32 pm
Codex recorders capture stereo streams from paired Arri Alexa cameras used to shoot the 3D movie. Codex technology occupied a key position in a groundbreaking 3D workflow used in the production of Life of Pi, the new, epic adventure film from 20th Century Fox and Academy Award-winning director Ang Lee. Codex recorders were used on [...]
December 20, 2012, 9:32 pm
Hey guys – I thought you’d like to see the latest (and most amazing) Seth Worley/Red Giant creation yet: Tempo. Seth really goes for it, tapping into that incredible creativity and imagination, and uses just about every Red Giant tool in the tool kit. Check it out here: http://www.redgiantsoftware.com/news/featured/tempo/ Enjoy!
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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