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September 11, 2012, 4:58 pm
There was a huge buzz in the industry when we released Media Composer 6, Symphony 6, and NewsCutter 10 last year with 64-bit performance, third-party I/O workflows, stereoscopic 3D, hands-on Artist Series controller support, and a slick new interface. And now they're even better—meet the new Media Composer 6.5 family...
September 14, 2010, 9:27 am
When RED introduced REDCINE-X it took the moderately useful and occasionally maddening REDCINE and turned it into an actual usable application. The best thing about this essential RED workflow tool is that it’s in a constant state of being upgraded with bug fixes and new features ... and it is free! This past weekend RED posted yet another new version of their Useful Tool with two big features: 3D stereo support and R3D trimming.
September 13, 2010, 7:36 pm
We recently upgraded to cs5, and for everything good that it does, it also has a few weird quirks. The most notable is that using the space bar to temporarily select the move tool (the one that looks like a hand) does not work. This is a known issue, but it still sucks. The only workaround is equally quirky: shut down your web browsers. I can’t say why it happens, but hopefully that one trick will keep you from throwing your machine against a wall. I was really close!
September 13, 2010, 1:27 pm
Film Editor Pietro Scalia talks to BAFTA and journalist Mark Salisbury about working with Ridley Scott on Black Hawk Down. Scalia explains how he cut complex action scenes with numerous actors spread over multiple locations.
September 13, 2010, 1:26 pm
Film Editor Pietro Scalia dissects a key scene from Gus Van Sant's Good Will Hunting and explains the need for editors to resist the temptation to make a cut. "Its always about how the psychology of the viewer works. And we can manipulate that we do it continuously."
September 13, 2010, 1:24 pm
Film Editor Pietro Scalia talks to producer and journalist Mark Salisbury about his experience of working with different directors in the cutting room - from Oliver Stone and Ridley Scott to Gus Van Sant and Italian director Bernardo Bertolucci.
September 13, 2010, 12:04 pm
I still remember when I was 12 and getting into the Oscars for the first time. My Dad said, "How can you tell if the film has good editing?" To a very large extent, I had to concede his point, as the best editing is often that which we don’t explicitly notice. Rather, it simply "becomes" the film as we become immersed in what is on the screen, not remembering that everything was staged from different angles on different days.
September 13, 2010, 11:45 am
Sony Creative Software has announced the most recent upgrade to Sony’s award-winning nonlinear HD video and audio editing application, Vegas Pro 10. The software application provides broad audio and video support for media ingest, editing and delivery workflows for a wide variety of professional production.
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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