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September 11, 2012, 4:58 pm
There was a huge buzz in the industry when we released Media Composer 6, Symphony 6, and NewsCutter 10 last year with 64-bit performance, third-party I/O workflows, stereoscopic 3D, hands-on Artist Series controller support, and a slick new interface. And now they're even better—meet the new Media Composer 6.5 family...
December 24, 2009, 5:54 am
One argument I hear against tapeless formats OVER AND OVER again is, to paraphrase, "tapes are infallible. You can’t accidentally delete a clip from a tape. Having a PHYSICAL tape in your hand makes you sure you have the footage and it is there, and usable, and I can see it YEARS from now."
December 23, 2009, 5:52 am
Through both film editing and sound design, Walter Murch has worked literally behind the scenes of Hollywood to give shape and structure to the films we see. In the process, he's won three Academy Awards; he's directed his own feature-length film, the creatively subversive Return to Oz; and he's worked with some of the greatest directors of modern times, including Francis Ford Coppola and George Lucas, on some of their greatest films, from The Godfather trilogy and Apocalypse Now to...
December 23, 2009, 5:51 am
Some filmmakers simply tell a tale and use editing, camera and sound to portray it as artfully as possible. The editing remains mostly invisible in their hands as we become absorbed in story, place and characters. Directors Steven Spielberg, Ang Lee, and James Cameron fit this description. Other directors - Quentin Tarantino, Jean Luc Godard (and others in the 1950s French New Wave) Martin Scorsese, Francis Ford Coppola, Mel Brooks...
December 23, 2009, 5:49 am
This is the second of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we’ll take a sequence that was offline edited in Avid Media Composer and onform it to 4K DPX files for grading. For this, we’ll use Monkey Extract. Sorry for being late with this one, but I was not at home and couldn’t remote into my computer to upload the podcast. My bad.
December 22, 2009, 5:48 am
The UCLA Film and Television Archive and American Cinema Editors (A.C.E.) present "Film Editing: The Invisible Cut" with author Bobbie O’Steen in discussion with film editor Carol Littleton, on Sunday, January 10, 2010, 7 p.m., at the Billy Wilder Theater, 10899 Wilshire Boulevard, Los Angeles, along with screening of the 1981 film noir "Body Heat." Littleton was interviewed in O’Steen’s book, "The Invisible Cut: How Editors Make Movie Magic" and will talk about her work on "Body Heat,"...
Gordon Burkell sits down to talk Punk Rock, documentary editing and directing with Shaun Colon. Check out his film A Fat Wrec ...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
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