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September 11, 2012, 4:58 pm
There was a huge buzz in the industry when we released Media Composer 6, Symphony 6, and NewsCutter 10 last year with 64-bit performance, third-party I/O workflows, stereoscopic 3D, hands-on Artist Series controller support, and a slick new interface. And now they're even better—meet the new Media Composer 6.5 family...
November 17, 2009, 4:10 am
The new Premiere Pro CS4 4.2 and Adobe Media Encoder CS4 4.2 offer new improvements and enhancements to CS4 video workflows. With the 4.2 update, Premiere Pro now offers users of Panasonic’s AVC-Intra line of P2 cameras the chance to edit in native AVC-Intra format. This has been a longtime coming for AVC-Intra users and they can now enjoy the advantages of Adobe CS4 tapeless workflows and native editing.
November 17, 2009, 4:08 am
The seventeenth episode of THE EDIT BAY is now available for download (I just now realized that I never announced that Ep.16 was too...I’ll fix that). This one is about having footage on the brain.
November 17, 2009, 4:07 am
Apparently I missed posting this, but the sixteenth episode of THE EDIT BAY is now available for download, and has been for a couple weeks. This one is about "rock and rolling" a cut about....Jesus.
November 16, 2009, 4:04 am
CULVER CITY - Editor Peter S. Elliot and assistant editor Rob Molina were part of the team that cut Roland Emmerich’s new apocalyptic feature 2012. The film stars John Cusack, Amanda Peet, Danny Glover and Chiwetel Ejiofor, and was shot digitally using the Genesis camera, though 35mm was used for some underwater sequences. Post recently had a chance to chat with members of the editorial team regarding their work on the 2 hour and 35 minute film, which is loaded with visual effects, many...
November 16, 2009, 4:04 am
Automatic Duck provides solutions for video editors needing to move between applications. To understand what they offer we need to step back in history. When Final Cut Pro appeared on the video scene in 1999 the professional world was entrenched with AVID. TO move an AVID project to Final Cut Pro or from Final Cut Pro to AVID was not a simple process.
November 16, 2009, 4:03 am
In this demo recorded at the FCPUG NAB SuperMeet, Jason's charismatic style comes though as he shows off key technologies with Adobe's CS4 suite of applications. See how simple it is to bring a Final Cut Pro project into Adobe Premiere Pro, to then work with this content in After Effects and to author Blu-ray discs using Adobe Encore. Jason also shows how to make use of the Speech Transcription technology whilst editing.
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
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