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  • AOTG

    XDT Launches Catapult Server Version 4.1 At

    September 15, 2012, 10:26 am
    (Melbourne, Australia--September 15, 2012) XDT Pty. Ltd. has launched version 4.1 of its Catapult Server product at IBC 2012. Catapult Server v4.1 is a powerful solution for broadcast, post production and corporate users, and will ship in October, 2012.

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  • Other Postings By Member

    • AOTG
      VFX

      VFX in The Tick

      October 2, 2018, 9:18 am
      The Tick recently wrapped its first split season on Amazon Video. The series mixes tongue-in-cheek humor with the high--energy action of an almost invulnerable superhero clad in a blue tick costume. The always optimistic character, who debuted as a comic book hero in the 1980s, befriends the nebbishy Arthur, who becomes his sidekick in their quest to save the city from supervillain The Terror.

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    • AAC test: Does your device play this file? by Alla
      SOUND

      AAC test: Does your device play this file? by Alla

      October 2, 2018, 6:34 am
      Apple has suggested we change from MP3 to AAC, but many people are afraid that AAC may not be playable on all current players. So I created a bonus test episode. Many people mistakenly believe that that letter A in AAC stands for Apple. That is incorrect. The AAC acronym stands for Advanced Audio Códec, without any mention of Apple in the name. Apple did not create it. Apple just likes it.

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    • AOTG
      COLOR

      Create a Color Theme for Adobe CC

      October 2, 2018, 6:33 am
      I’m working on video series about Vincent Van Gogh, and I need to create some motion graphics elements for this project — mainly an opening animation, some simple lower third titles, and a few other elements. Van Gogh was a Dutch Post-Impressionist painter known for using bold colors, so naturally, I want to sample some of these colors in my graphics. Lucky for me, Adobe has just the tools I need.

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    • How I edited a complex feature documentary with in
      EDITING

      How I edited a complex feature documentary with in

      October 2, 2018, 6:33 am
      I recently completed a feature-length documentary edit using Adobe Premiere Pro CC 2018 (12.1.2), and we had zero* crashes during the four week + edit. Was I shocked by this? Not at all. PPro is very stable for me, and I had no fears about stability when I jumped into this edit. It’s not the first longform documentary with a mountain of different formats and frame rates I’ve cut in PPro, and it won’t be the last.

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    • UltraSync BLUE: a new timecode over Bluetooth solu
      EDITING

      UltraSync BLUE: a new timecode over Bluetooth solu

      October 2, 2018, 6:33 am
      Available this October, UltraSync BLUE from Timecode Systems is the first solution to use the company’s new patented timecode sync and control protocol to transmit timecode wirelessly to a recording device.

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    • AOTG
      SOUND

      Introducing Warmth and Colour with The Acme Optico

      October 1, 2018, 9:02 am
      The Acme Opticom XLA-3 is a vintage style optical compressor which combines just enough control to be more flexible than some better known optical compressors with bags of character and old school vibe.

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    • After Effects News 2018 September #3
      EDITING

      After Effects News 2018 September #3

      October 1, 2018, 3:19 am
      Recently in After Effects there’s news on the how pro users leverage Creative Cloud apps, approaches to creativity and worklife, wiggle and repeating shapes, some infographic tutorials, glows, Blackmagic RAW and other codec news, and more.

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    • 4 automatic audio mixers ≥US$1000 cure bleed/spi
      SOUND

      4 automatic audio mixers ≥US$1000 cure bleed/spi

      September 30, 2018, 6:32 am
      Have you been disappointed when your audio quality drops exponentially as you add more microphones with a talk show, interview or reality, due to a phenomenon called spill, bleed or “crosstalk”? You can’t afford the time to mulitrack and fix it in post? You’ll be happy to know that there are hardware devices to solve it in real time, either truly live or live-to-drive (previously known as “live on tape”) . In BeyondPodcasting episode 10, Curtis Judd and I discuss four models from ≈US$250 to ≈US$1000.

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    • AOTG
      EDITING

      Tentacle Sync E: a small and simple pocket sized t

      September 30, 2018, 6:32 am
      Tentacle Sync, creators of simple timecode solutions that are both easy to use and accessible in price, have taken the best features of the original Sync, added some new features and created the Sync E.

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    • AOTG
      VFX

      Easy VFX You Can Add to Your NEXT FILM!

      September 30, 2018, 6:32 am
      There's no doubt that visual effects can add a lot to a film; they can not only make them more fun to watch but also more fun to make. But perhaps one of the most common reasons new filmmakers shy away from including them in their work is that they believe the misconception that all VFX are expensive, time-consuming, and difficult to create. All VFX are not expensive, time-consuming, and difficult to create—just some—or most—but not these!

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