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September 15, 2012, 11:53 pm
The winners for the 2012 Creative Emmy's have been announced for the various editing categories. Follow the link below for the list.
Outstanding Single-Camera Picture Editing For A Drama Series
"Breaking Bad" - AMC (2 nominations)
"Downton Abbey" - PBS
WINNER: "Homeland" - Showtime
"Mad Men" - AMC
Outstanding Single-Camera Picture Editing For A Comedy Series
WINNER: "Curb Your Enthusiasm" - HBO
"Modern Family" - ABC (2 nominations)
"30 Rock" - NBC (2 nominations)
Outstanding Multi-Camera Picture Editing For A Comedy Series
"The Big Bang Theory" - CBS
"Hot In Cleveland" - TV Land
WINNER: "How I Met Your Mother" - CBS
"Two and a Half Men" - CBS
"2 Broke Girls" - CBS
Outstanding Single-Camera Picture Editing For A Mini-series Or A Movie
"American Horror Story" - FX Networks
"Game Change" - HBO
WINNER: "Hatfields & McCoys" - History Channel (Kevin Reynolds)
"Hemingway & Gellhorn" - HBO
"Sherlock: A Scandal In Belgravia (Masterpiece)" - PBS
Outstanding Picture Editing For Short-Form Segments And Variety Specials
"The 84th Annual Academy Awards" - ABC
"The Colbert Report" - Comedy Central
"The Daily Show With Jon Stewart" - Comedy Central
"Extreme Makeover: Home Edition" - ABC
"Louis C.K. Live At The Beacon Theatre" - FX Networks
WINNER: "2012 Rock And Roll Hall Of Fame Induction Ceremony " - HBO
Outstanding Picture Editing For Nonfiction Programming
"American Masters" - Johnny Carson: King Of Late Night" - PBS
"Anthony Bourdain: No Reservations " - Travel Channel
"Beyond Scared Straight" - A&E
WINNER: "Frozen Planet" - Discovery Channel
"George Harrison: Living In The Material World" - HBO
Outstanding Picture Editing For Reality Programming
"The Amazing Race" - CBS
WINNER: "Deadliest Catch" - Discovery Channel
"Project Runway" - Lifetime
"Survivor" - CBS
"Top Chef" - Bravo
March 24, 2017, 4:48 pm
In past outings, the famous ape has been achieved with stop motion, full and partial scale animatronics, and via motion capture and cg. But in Jordan Vogt-Roberts’ new Kong: Skull Island, Kong is a 100-foot-tall keyframed cg creature with very specific design features.
March 24, 2017, 12:12 pm
Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.
March 24, 2017, 12:12 pm
NAB 2017 is just around the corner and our sponsor, Lumaforge is heavily committed to bringing together the best and most accomplished FCPX people in the industry. On this episode of The Grill you’re going to hear all about the great things coming up and you’ll also take a bit of a walk thru Sam and I’s various “war stories” of past NAB’s.
March 23, 2017, 4:37 pm
Chris Godfrey is a very experienced Visual effects supervisor and, as with many professionals, he has found that "necessity is the mother of invention". While doing work on the feature film The Great Gatsby he developed a technique on to gain four stops without relighting when doing complex effects work.
March 23, 2017, 9:19 am
Here is a new VFX breakdown by Sony Pictures Imageworks about their work on SUICIDE SQUAD, this time it’s about Enchantress...
March 23, 2017, 9:18 am
Creating a custom grooming system in Houdini for VFX and Games.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
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