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  • The Top 5 American Western Standoffs

    The Top 5 American Western Standoffs

    August 5, 2009, 12:24 pm
    To kick off the first post for the Edit Decision List, I thought it would be fitting to choose a topic that relies on one of the most fundamental techniques in editing film: building tension. There are many places for using this technique, but it is in its most blatant use in the Western Standoff. Therefore here is The Top 5 American Western Standoffs based on editing.

    Criteria:
      -Must be a true standoff, not a gunfight
      -American Western Genre (includes Spaghetti)
      -Effective use of editing to create tension within the scene


    libertyvance
    The Top 5 American Western Standoffs
    5. The Man Who Shot Liberty Valance (1962)

    John Ford is known for popularising the American Western by making it something to take seriously, and has done a lot as far as creating a standard for the genre that was used again and again. The Man Who Shot Liberty Valance is later in Ford’s career, but he still uses the same fundamental techniques in making this film as he did in Stagecoach (1939). In some ways this hurts the film, because Ford has always taken what I would consider to be a very conservative approach to editing. However, the editing is still very clean and the viewer feels the tension and fear building in the intimidated James Stewart as he fumbles to take his revenge. The other reason why this film is worth mentioning in an editing context, is that it shows the standoff from two different perspectives: James Stewart’s, and John Wayne’s.
    The Top 5 American Western Standoffs
    4. Gunfight at the OK Corral (1957)

    Okay, the title says "Gunfight" but for my criteria I’m talking about standoffs. Gunfight at the OK Corral actually has two or three great little standoffs that I’m going to focus on rather than the gunfight at the end. This film won an Academy Award Nomination for Best Film Editing in 1958, and it is a great example of what was known as the standard cutting sequence for every film coming out at that time: Establishing shot, medium shot character 1, medium shot character 2, insert cutaways, close up 1, close up 2, etc. The beauty of Gunfight is that they managed to use that common sequence and still build up tension. It helps that Kirk Douglas is a great actor, but we all know that true tension can only be built in the editing room.
    The Top 5 American Western Standoffs
    3. Shane (1953)

    This is a film that I had never heard of before my dad told me to watch it specifically for this blog. After some research, I found that it has actually won many awards, but nothing specifically towards editing. Frankly, I think that’s an injustice— There are many parts of the film where I would consider the film editing to be extremely unique in a good way. For the standoff, it still remains unique. There are no close ups, really, but the ambiance and the stillness in each shot is so solid that you don’t need it. In fact it’s creepier than your average stand off. One thing that really struck me was the use of animals, both throughout the entire film and within the standoff itself. The viewer can really tell that even the animals feel the tension in the room, and react in a subtle but fitting way. This one is worth checking out.
    The Top 5 American Western Standoffs
    2. The Good, the Bad, and the Ugly (1966)

    I don’t know if I would be allowed to have an American Western Standoff top 5 without this film. It is so universally known and loved that it would be impossible not to include it— and for good reason: it’s one of the best standoffs in film. This is technically tied for first, but why did I put it at number 2? Before you scream and yell at me (which I encourage) then consider the cheesiness of the scene. Yes, the majority of Spaghetti Westerns are cheesy and it’s basically expected that you will have to deal with a voice dub and overly dramatic music. As great as the editing is, and it is great— especially in its innovative use (and popularisation) of the extreme close up and the pure entertainment value of the immortal standoff— I have to say that the music really affects my opinion of the scene regardless of how entertained I am. Technically, the use of the music, sound effects (or lack of sound effects), and extreme close ups does its job exceedingly well. Throughout the entire standoff you are hanging on the edge of your seat excitedly begging for something to happen. But my main reason is that the music, as great and iconic as it is, does not build up the tension in the scene as much as it could.
    The Top 5 American Western Standoffs
    1. Once Upon a Time in the West (1968)

    The sole reason why this Once Upon a Time in the West gets one point more than The Good, the Bad, and the Ugly, is that the editing technique has been taken one step further. In this film Leone has refined the art of building tension, and the movie feels real and still has a sense of humour about it. This time, he has utilised sound effects instead of a theme song, and really integrates the surroundings as a character in the film. There is always a small, repetitive diagetic sound that is happening in the background— it creates a feeling of nothingness, like the only thing alive is the object making the sound. It keeps going and going over long shots and sequences, eventually making the viewer more and more agitated, but in a way that creates curiosity and anticipation rather than unbearable frustration. I’ve never felt more tense in standoffs than in this movie, and this is why I place it at number 1.

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    • 100 to 1: Overwhelmed Protagonist Fight scenes
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      100 to 1: Overwhelmed Protagonist Fight scenes

      August 19, 2009, 3:47 pm
      The protagonist walks into a room, ready to pick a fight with the bad guy and save the world (or some damsel in distress). The moment is akin to the last level of an old video game, where the mega-boss stands 5 inches in front of your character on the screen then laughs as the controller freezes— preventing you from moving your character to attack the boss. Suddenly, the rest of the boss’ lackeys pour out from every orifice in the room and threaten to take our hero out. He’s outnumbered 20 to 1... how is he going to get out of this one? Well, thanks to the magic of movie editing (and some nice choreography) he can beat an impossible amount of attackers all by himself!

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    • Top 5 Edited Live Action Movie With Talking Animal
      EDITING

      Top 5 Edited Live Action Movie With Talking Animal

      July 17, 2009, 12:32 pm
      I just recently finished compositing some shots for a live-action Disney DVD film (soon to come) involving talking animals. This is the first time that I’ve really done anything like that, and although I wasn’t editing, I could appreciate how difficult it can be to edit a film with animal actors as I saw the shots come in. And it’s difficult regardless of if they have moving mouths or not. Animals aren’t really "acting" on their free will as humans do, so discerning which take is the best has to with a mixture of the action being performed properly (pun intended) as well as juxtaposing the action with another action to convey an accurate sense of emotion, which 95% of animals (arguably) don’t naturally exhibit.

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