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September 22, 2012, 8:25 am
"The Haunting" (the original 1963 version, not the appalling 1999 version) is one of my favorite movies of all time. Every time I see it I notice something new. I watched it most recently on the plane returning from IBC and decided it's time to draw a little attention to it—particularly to a couple of scenes that, in a nutshell, show the kind of planning that went into this film.
January 31, 2017, 10:36 am
Photogrammetry and Visual Effects DISCLOSURE: I have no business affiliation with any of the companies mentioned nor am I being paid by any of them to write this article. I chose to write about this subject matter on my own due to a passion I have for the subject of Photogrammetry. I have done much The post Photogrammetry and Visual Effects appeared first on ProVideo Coalition.
January 30, 2017, 10:18 am
It’s a new year and 2017 is a year unlike any other in terms of the technology we have at our disposal for editing and post-production. The controversy over the new MacBook Pro aside we have very powerful hardware to choose from over a wide range of prices. If you’re in the game to edit The post The Editblog’s 2017 NLE Buyers Guide appeared first on ProVideo Coalition.
January 28, 2017, 7:44 am
William Goldenberg, ACE was nominated in 2013 for TWO Oscars for Best Editing: for Argo and Zero Dark Thirty, and won for Argo. He was nominated again, two years later for The Imitation Game. Other Oscar nominations include Seabiscuit and The Insider. Other films edited by Goldenberg include Heat, Ali, National Treasure, Gone Baby Gone The post ART OF THE CUT with Oscar winner William Goldenberg, ACE appeared first on ProVideo Coalition.
January 24, 2017, 10:15 am
The following are Oscar nominees with links to Art of the Cut interviews with the film editors involved. ART OF THE CUT would like to thank each editor for their participation and congratulate them for their contributions to this year’s nominated films and nominees. Best Picture Arrival (Joe Walker, Editor) Fences (Hughes Winborne, Editor) Hacksaw The post 2017 Oscar Nominees with links to ART OF THE CUT editors appeared first on ProVideo Coalition.
January 24, 2017, 7:45 am
In this lesson, Kevin P McAuliffe talks about how to create organic looking film looks inside of Avid Media Composer, using some effects from BCC 10. One of the most common effects that editors attempt to mimic, especially when working in 1080i, is that look of film. That gritty, organic look that really only comes The post Let’s Edit with Media Composer – Creating Film Looks with BCC appeared first on ProVideo Coalition.
January 23, 2017, 6:09 pm
With the advent of digital audio, we’ve come to expect considerably more from our audio that we did in days past and noise reduction is a key component of that. In analog audio we got used to bouncing tracks into other tracks, and in finding creative ways to lessen the sonic impact of doing that. The post Noise Reduction-28 Weeks of Post Audio-Week 11 appeared first on ProVideo Coalition.
January 23, 2017, 10:15 am
Filmmakers and sound engineering professionals were able to offer life-like hearing experiences to the end user through the use of G’Audio Works, a plugin which can be seamlessly added to Pro Tools. We wrote here, before, that Virtual Reality is highly dependent on sound positioning for complete immersion, something that has been missing from some The post G’Audio Works, a spatial audio plug-in for Virtual Reality appeared first on ProVideo Coalition.
January 21, 2017, 4:34 pm
Women in Film, The Economics of Workflow or Telling Stories With 6 Degrees Of Freedom are some of the exclusive discussions visitors of the Sundance Festival can watch at the Digital Workflow House. Hosted by RED, Atomos, G-Technology and Teradek, the Digital Workflow House happens January 22-23, during the Sundance and Slamdance film festivals in The post Digital Workflow House at Sundance appeared first on ProVideo Coalition.
January 21, 2017, 4:34 pm
ProDOF is, said Christina Austin, CEO of Pixel Film Studios, “the perfect set of tools for video editors that want to create the illusion of rack focusing from one subject to another subject in a scene.” The software combines racking focus with slight zoom in and zoom out functions to amplify the effect of creating The post ProDOF: Depth of field tools for FCPX appeared first on ProVideo Coalition.
January 21, 2017, 10:40 am
A year ago, Maryann Brandon was nominated for an Oscar for Best Editing for Star Wars: The Force Awakens. It was the latest film in a long-running collaboration with director and producer J.J. Abrams that goes back to the TV series Alias. Brandon’s credits include Star Trek Into Darkness, Super 8, and Mission Impossible 3. The post ART OF THE CUT with Maryann Brandon, ACE on cutting Pasengers appeared first on ProVideo Coalition.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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