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September 23, 2012, 3:53 pm
As part of their ongoing effort to gain recognition and acknowledgement for picture editors, the Motion Picture Editors Guild and the American Cinema Editors (ACE) launched a Petition for the Recognition of Editors in late June. The Committee for Creative Recognition, comprised of members from the Boards of Directors of both organizations, hopes to encourage film festivals and other organizations (both domestic and international) that present awards for achievement to honor the vital...
July 15, 2009, 4:19 pm
Tracey Ullman's comedy sketches are often a barometer of the cultural zeitgeist. Her current show, Tracey Ullman's State of the Union, is the latest forum for the Emmy award winner to showcase her uncanny impersonations and hilarious skits in a satirical look at a day in the life of America. Her unique take on the country's celebrity-obsessed, 24/7 news culture is one step ahead of viewers' expectations with the kind of searing and irreverent insights that keep audiences laughing and coming...
July 14, 2009, 4:14 pm
Yesterday I shot a political spot with Simon Sommerfeld, a friend who saved the day after I pitched the concept for this no-budget spot to an agency that then said, "We’ll take it—make it as fast as you can for no money."
July 14, 2009, 4:13 pm
If there is one priority assistant editors agree on, it’s the need for organization. Today’s assistant editor may have dozens of tasks to perform daily, but only one real job—creating an efficient, smooth running environment that will leave his/her editor free to create.
July 13, 2009, 4:12 pm
Effects production can fall into several categories. There are effects which dazzle the eyes and send stimulating impulses to the brain - and then there is repair work, whereby effects are used to fix problems which could otherwise destroy valuable footage. Rick Young demonstrates effects production in Final Cut Pro, using no third party filters and no other applications. Recorded live at the LAFCPUG Meeting, April 29, 2009.
July 12, 2009, 4:11 pm
Dr. Karen Pearlman, head of screen studies at AFTRS and co-artistic director of The Physical TV Company, has made her way into the literary field. Her book, Cutting Rhythms: Shaping the Film Edit, has now been published by Focal Press, America's leading publisher of books on media.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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